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182 stories by "Laura Cappelle"

French Choreographer Bintou Dembélé Opens the Avignon Festival by Laura Cappelle

The French choreographer Bintou Dembélé brings her desire to create "a fair ecosystem" to the Avignon Festival, which she opened with "G.R.O.O.V.E."

SOURCE: The New York Times Subscription at 2:18pm on July 6, 2023[SHARE]

At Glamorous French Festivals, Poverty is Only Onstage by Laura Cappelle

The opening productions of the Avignon and Aix-en-Provence Festivals brought tales of the down-and-out to well-heeled spectators. It got awkward.

SOURCE: The New York Times Subscription at 1:19pm on July 6, 2023[SHARE]

At the Holland Festival, Many Shades of Strange by Laura Cappelle

Some of the action onstage at the Amsterdam event is so bizarre that following the action can be tough.

SOURCE: The New York Times Subscription at 10:33am on June 13, 2023[SHARE]

At Départ d'Incendies, Young Theater Makers Swing Big by Laura Cappelle

Ariane Mnouchkine, a grande dame of French theater, helped to set up a new festival where emerging companies can try out ambitious stagings.

SOURCE: The New York Times Subscription at 10:04am on June 9, 2023[SHARE]

'Antigone in the Amazon' Review: The Drama Is Brazil's Land War by Laura Cappelle

The Swiss director Milo Rau drapes a traumatic episode of Brazilian history with a Greek tragedy on a Belgian stage.

SOURCE: The New York Times Subscription at 7:42am on May 15, 2023[SHARE]

'Daddy' Review: Deeper Into the Internet's Darkest Corners by Laura Cappelle

In Marion Siéfert's much-anticipated new show, the French director explores the dynamics of online grooming.

SOURCE: The New York Times Subscription at 10:18am on May 11, 2023[SHARE]

Review: In 'Amours (2),' Love Hurts by Laura Cappelle

The French director Joël Pommerat has created an intimate chamber work examining love from many angles, all of them laced with pain and misunderstanding.

SOURCE: The New York Times Subscription at 2:06pm on April 18, 2023[SHARE]

'Nemesis' Review: A Philip Roth Adaptation Resonates by Laura Cappelle

The American writer's last novel becomes surprisingly effective theater in the hands of Tiphaine Raffier at the Odéon-Théâtre de l'Europe.

SOURCE: The New York Times Subscription at 10:20pm on March 26, 2023[SHARE]

For France's Protesters, the Streets Are the Ultimate Stage by Laura Cappelle

The country has a long history of demonstrations, which often feature overtly theatrical elements. Our Paris theater critic marched along on Tuesday to soak up the spectacle.

SOURCE: The New York Times Subscription at 1:28pm on March 9, 2023[SHARE]

Review: In 'With No Fanfare,' Things Fall Apart by Laura Cappelle

The play, a hit at the Avignon Festival, explores the twists and turns of a breakup through a whimsical mix of musical numbers and dreamlike vignettes.

SOURCE: The New York Times Subscription at 1:46pm on February 27, 2023[SHARE]

In Russian Plays, Don't Mention the War by Laura Cappelle

Paris productions of Chekhov, Turgenev and Ostrovsky avoid current events and focus on profound truths. But the plays' message is clear: If you rebel, you will be crushed.

SOURCE: The New York Times Subscription at 9:35am on February 7, 2023[SHARE]

Review: A Far-From-Revolutionary 'Danton's Death' by Laura Cappelle

A passé take on Georg Büchner's 1835 play about the French Revolution leans into the worst instincts of the Comédie-Française, our critic writes.

SOURCE: The New York Times Subscription at 12:43pm on January 19, 2023[SHARE]

A Paris Cabaret Makes Way for 'Cabaret' by Laura Cappelle

The 1966 American musical has opened at a venue that for decades hosted one of the city's most famous revue troupes.

SOURCE: The New York Times Subscription at 8:14am on January 10, 2023[SHARE]

The Best (and Worst) Theater in Europe in 2022 by Matt Wolf, Laura Cappelle and A.J. Goldmann

The Times's three European theater critics pick their favorite productions of the year " plus a turkey apiece for the festive season.

SOURCE: The New York Times Subscription at 5:18am on December 15, 2022[SHARE]

In Paris, First-Person Trauma Jumps from Page to Stage by Laura Cappelle

Several intimate literary accounts of pain and suffering have been adapted for the theater recently " with varying success.

SOURCE: The New York Times Subscription at 5:06am on December 1, 2022[SHARE]

In 'House of Us,' Irina Brook Steps Out of Her Family's Shadow by Laura Cappelle

At 60, and already a renowned theater maker, Irina Brook is rethinking her work and tackling the legacy of her famous parents: "I'm only just emerging from my cocoon."

SOURCE: The New York Times Subscription at 11:03am on November 22, 2022[SHARE]

France Cheers For 'Starmania,' Its Favorite Musical by Laura Cappelle

Songs from "Starmania" are frequently heard and covered in France, but until a new production opened in Paris, few had a chance to see the 1979 rock opera onstage.

SOURCE: The New York Times Subscription at 4:03am on November 10, 2022[SHARE]

José Martinez Named New Director of Paris Opera Ballet by Roslyn Sulcas and Laura Cappelle

Martinez, once a member of the company's troupe and a former leader of the National Dance Company of Spain, will take up the position in December.

SOURCE: The New York Times Subscription at 10:24am on October 28, 2022[SHARE]

Tiago Rodrigues's Theater of Compassion by Laura Cappelle

Three stage works in Paris by the incoming director of the Avignon Festival continue his preoccupation with empathy and human complexity.

SOURCE: The New York Times Subscription at 6:55am on October 20, 2022[SHARE]

In Paris Plays, What It Would Be Like if Shakespeare Was Female by Laura Cappelle

Several Paris theaters geared up to open their seasons with the most famous English playwright. How would the plays be tackled if a woman's name were attached to them?

SOURCE: The New York Times Subscription at 6:25am on September 29, 2022[SHARE]

Why Did Instagram Pause This Play? Its Creators Still Don't Know. by Laura Cappelle

Marion Siéfert's "_jeanne_dark_," about a shy teenager beginning to express her sexuality, contains no nudity yet still ran afoul of Instagram's opaque policies.

SOURCE: The New York Times Subscription at 3:19pm on September 11, 2022[SHARE]

A Last Taste of Summer Theater, as Paris Heads Back to Work by Laura Cappelle

As offices and schools reopen, ParisOffFestival brings a carnival atmosphere to an area of low-income housing in the city.

SOURCE: The New York Times Subscription at 5:07am on September 8, 2022[SHARE]

In Paris, Comedy Clubs Draw Energy From Young, Diverse Crowds by Laura Cappelle

American-style stand-up, a relatively young art form in France, is attracting a young, racially diverse crowd to a blossoming club scene.

SOURCE: The New York Times Subscription at 4:54am on August 18, 2022[SHARE]

A Quirky Parisian Festival Refinds Its Footing by Laura Cappelle

The annual Paris l'Été hosts some especially strong multidisciplinary shows this summer, one of which includes a seven-hour hike.

SOURCE: The New York Times Subscription at 4:37am on July 28, 2022[SHARE]

Avignon Festival Gets Its Buzz Back by Laura Cappelle

With striking premieres in the main program and enchanting discoveries on the supplementary Fringe, the eminent event in European theater is flourishing after some difficult years.

SOURCE: The New York Times Subscription at 5:07am on July 14, 2022[SHARE]
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