Stand-up for everybody with Next in Line Comedy
Manny Brown talks comedy and community with the collective Next in Line Comedy, now with a new venue at The Coop. Kiran Pandey profiles.
Manny Brown talks comedy and community with the collective Next in Line Comedy, now with a new venue at The Coop. Kiran Pandey profiles.
Montgomery Theater presents R. Eric Thomas's Mrs. Harrison, a play that contends with timely themes of storytelling and appropriation but falters for the messiness of its construction. Kiran…
The Walnut Street Theatre revives Who's Afraid of Virginia Woolf? to explosive effect, conjuring the delicate illusions of Albee's most famous play. Kiran Pandey reviews.
Philadelphia-based translator and Penn professor Emily Wilson follows her acclaimed English translation of The Odyssey with a similarly lucid and lean new Iliad. Kiran Pandey reviews.
Sondheim still abounds, despite his recent passing, and the new tour of Company takes a gender swap to the 1970 story, with uneven results that nevertheless keep the joy of the show alive. K…
Arden Theatre Company presents Heidi Schreck's What the Constitution Means to Me, a play that is as alternately illuminating and frustrating as our founding document. Kiran Pandey reviews.
Quintessence Theatre Group conjures a classic vision of hell with Jean-Paul Sartre's No Exit, in a new translation by Alex Burns. Kiran Pandey reviews.
People's Light brings social horror to the stage with the world premiere of Steve H. Broadnax III's Bonez, which boasts eerie technical wizardry but is stymied by a script that too often get…
The Philly Fan, in an updated version at Hedgerow Theatre starring playwright Bruce Graham, surveys 50 years of Philadelphia sports through the thoughtful perspective of one man in a bar. Ki…
The 2023 Philly Fringe takes on Macbeth in two different shows: Spanking Macbeth, an original play, and Macbeth in a Bar, a restaging at Lilly's Ferry. Kiran Pandey reviews.
Denise Stephenson invokes the specter of our former First Lady in Finding Melania, a one-woman show at the Philly Fringe that offers a surreal portrait of complicity and alienation. Kiran Pa…
Bill George brings Odysseus to the Philly Fringe, a one-man retelling of The Odyssey that captivates in returning the poem to its rhetorical origins. Kiran Pandey reviews.
Theatre in the X celebrates its 10th anniversary with Zooman and the Sign, a tremendous rumination on community violence in Philadelphia that is all too resonant today. Kiran Pandey reviews.
Pennsylvania Shakespeare Festival closes its 2023 season with bold comedic swings and infrequent wonder in an ultimately uneven Tempest. Kiran Pandey reviews.
Pennsylvania Shakespeare Festival opens its 2023 season with Henry IV, Part 2, a joyous restaging that succeeds in ragtag style, despite a few dramatic missteps. Kiran Pandey reviews.
Eternal Life Part 1, in its world premiere at the Wilma, offers a vision of the near future that is as strange and wondrous as it is relatable. Kiran Pandey reviews.
Good Grief, in its regional premiere at Hedgerow Theatre Company, offers a sometimes touching, mostly frustrating portrayal of grief. Kiran Pandey reviews.
1812 Productions presents Broads, a hit cabaret that celebrates the bawdiest, boldest, and funniest ladies of the 1920s through the 1960s. Kiran Pandey previews.
In The Book of I.P., a poetry-and-essay chapbook collection, Philly native Chris Courtney Martin breaks from the strictures of Hollywood to craft a blazing manifesto of art on its own terms.…