Made by God
It's just that, as the fictional Eva supplants the non-fictional Ann onstage, the play reverses course and sacrifices its human scale back to the rhetorical, with pro-life Eva and pro-choice…
It's just that, as the fictional Eva supplants the non-fictional Ann onstage, the play reverses course and sacrifices its human scale back to the rhetorical, with pro-life Eva and pro-choice…
But, again, O'Hara does these actors no favors, forcing them to contend with incongruous historical information while also depriving them of the greatest acting benefit O'Neill's four-act pl…
Cue the Irish Rep and its remounting of artistic director Charlotte Moore's musical "The Streets of New York," which the theatre first premiered twenty years ago in the aftermath of Septembe…
Performed as one long 80-minute monologue, A Girl is a Half-formed Thing also offers actor Jenn Murray little, if any, respite, laying on her shoulders complete responsibility for telling ev…
Previously only known for his novels and short stories, first-time playwright Kevin Barry brings the same full-hearted doom and gloom to the stage in "Autumn Royal" that was evidenced in his…
More concert than musical, the 80-minute show's libretto adds little to its cast album, with the lyrics of each queen's autobiographical song also pruning their individual histories to a poi…
Since it's difficult to make fun of something that was never meant to be taken seriously in the first place, Hogue and director Nick Flatto are often left to spin their wheels by simply reha…
To review dramatist/lyricist/composer Ethan Lipton's "Tumacho" almost feels like missing the point of this endearingly oddball "play with songs," a comic pastiche of Western and horror trope…
It might be about 90 years too late, but writer/director Ciarán O'Reilly is throwing a good old-fashioned Irish wake, with poems, songs, and a slice of barmbrack (Irish sweet bread) or ea…
Bess Wohl's "Grand Horizons" opens with a pas de deux of marital inertia as Nancy (Jane Alexander) and Bill (James Cromwell), two near-octogenarians wasting their twilight days in a so-calle…
Created and first performed during the run-up to the 2018 national referendum that eventually led to the amendment's repeal, Maz and Bricks, a part of the Origin Theater Company's 1st Irish …
Given the personal nature of Morissette's artistic output, it might be surprising to learn that the Broadway version of Jagged Little Pill doesn't take the easy biographical route for its bo…
Campbell Scott as Ebenezer Scrooge and Dashiell Eaves as Bob Cratchit in a scene from Jack Thorne's new adaptation of "A Christmas Carol" at Broadway's Lyceum Theatre (Photo credit: Joan Mar…
Told as a series of alternating, interlocking monologues, there is a "Rashomon"-esque quality to "Pumpgirl" that grows more obvious as the play's story comes into focus. Not only do the rela…
Like a great many history plays, Harvey Fierstein's "Bella Bella" is as much about the present as the past, paralleling everything that's gone wrong now with what went wrong then. Unsurprisi…
To be sure, Serafina and Alvaro's romance is less than credible, but director Trip Cullman wisely commits to it completely, recognizing that Williams really hasn't given him any other choice…
The first act of Anna Moench's "Mothers" concludes with a genuine shock as the playwright startlingly upends all of our expectations. Visually punctuated by Wilson Chin's suddenly not-so-sta…
As John, Christopher Sears is an enjoyable pill, perfectly offset by Tommy Crawford's Paul whose amiable placidity is almost Buddha-like. More importantly, both actors have impressive musica…
Halley Feiffer's new comedy, the obsessively titled "Moscow Moscow Moscow Moscow Moscow Moscow," is an intermittently funny ten-minute parody of Anton Chekhov's "Three Sisters." Unfortunatel…
The Irish Repertory Theatre ends its thirtieth season by going back to the beginning, with a sturdy revival of Sean O'Casey's "The Plough and the Stars." An historical prequel to the other t…
One of the theater's most skilled 19th-century melodramatists, Boucicault was uninterested in the finer points of history, character development, or narrative objectivity which, of course, i…
From this group of familiar faces, O'Reilly and Keating are particularly strong in their second go-around, finding notes in Jack and Joxer's codependent relationship that are both hilarious …
Director Ciarán O'Reilly handles O'Casey's abrupt tonal shifts well, transitioning from laughter to tears to horror with barely a hint of contrivance. A top-notch production team greatly …
Breen's script, a succession of rapid-fire vignettes divided in half by an unnecessary intermission, tries to compensate for its lack of depth with imagined multitudes. According to a promot…
Although Chua is less interested in beauty for beauty's sake than Andersen, the look and sound of "The Emperor's Nightingale" is still stunning, drawing on a wealth of traditional Chinese ar…