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293 stories by "Jayne Blanchard"

A tribute to Alan Friedman, 71, beloved theater volunteer by Jayne Blanchard

Local theater lobbies just got a bit colder with the passing of Alan Friedman, 71, on September 19.  Along with his husband Lou Altarescu, Alan was a fixture in the Washington theater sce…

SOURCE: DC Theatre Scene at 5:12am on September 21, 2019[SHARE]

Review: The Gulf, Audrey Cefaly's Delta drama by Jayne Blanchard

We've seen "Jaws." We all know what an innocent fishing expedition can become. The stakes are more emotional than predatory in Audrey Cefaly's intense and steamy one-act, The Gulf, returning…

SOURCE: DC Theatre Scene at 7:42am on September 19, 2019[SHARE]

Review: Souvenir: A Fantasia on the Life of Florence Foster Jenkins at Rep Stage by Jayne Blanchard

Rep Stage's gracious production of Stephen Temperley's Souvenir: A Fantasia on the Life of Florence Foster Jenkins makes you miss many things. Piano players in restaurants and cocktail loung…

SOURCE: DC Theatre Scene at 11:33am on September 10, 2019[SHARE]

Theatre critic Nelson Pressley retires from The Washington Post by Jayne Blanchard

Longstanding and highly regarded theater critic and arts writer Nelson Pressley of The Washington Post announced his retirement on August 31 on Facebook. His last piece ran in the Sunday Pos…

SOURCE: DC Theatre Scene at 6:36pm on September 5, 2019[SHARE]

Review: Vivian's Music 1969 from The Essential Theatre by Jayne Blanchard

Somebody cared enough about a young black girl killed by a white cop in the powder keg summer of 1969 to give her a story. Nothing much was known about the girl"just her name, age and how sh…

SOURCE: DC Theatre Scene at 11:24pm on July 9, 2019[SHARE]

Review: Touring company of Hamilton is young, impassioned and wildly-talented by Jayne Blanchard

Third time still charms with Hamilton, Lin-Manuel Miranda's game-changing, blood-drumming 2015 musical about Alexander Hamilton, whom he describes in his syncopated, ear-worm lyrics as a "$1…

SOURCE: DC Theatre Scene at 2:06pm on June 27, 2019[SHARE]

Review: A Doll's House, Part 2. Funny, sharp and smart by Jayne Blanchard

The door slam heard around the world. Has there ever been a more memorable exit than Nora Helmer banging the door closed on her life, marriage and children in Henrik Ibsen's A Doll's House"o…

SOURCE: DC Theatre Scene at 3:42pm on June 12, 2019[SHARE]

Review: A New Brain from Iron Crow Theatre by Jayne Blanchard

A medical emergency. If that's not song and dance material, I don't know what is. But under composer William Finn's tunefully neurotic steerage, serious brain trauma becomes a bright, fresh …

SOURCE: DC Theatre Scene at 7:42am on June 4, 2019[SHARE]

Review: Queens Girls in Africa at Everyman Theatre by Jayne Blanchard

How many me's can you fit in one teenage body? Jacqueline Marie Butler (Erika Rose) ponders this question and endeavors to find her place in the world in Queens Girl in Africa, D.C. playwrig…

SOURCE: DC Theatre Scene at 2:24pm on May 21, 2019[SHARE]

Review: Queens Girl in the World at Everyman Theatre by Jayne Blanchard

2933 Ericson Street may prove to be as potent and prescient as August Wilson's 1839 Wylie Avenue in Pittsburgh's Hill District, the setting for many of his epic plays and the place where Aun…

SOURCE: DC Theatre Scene at 12:12pm on May 20, 2019[SHARE]

Review: The Oresteia, a stunning production marks Michael Kahn's final show as STC Artistic Director by Jayne Blanchard

It seems somehow written in the stars that Michael Kahn would choose the world premiere of Ellen McLaughlin's  The Oresteia as the final show of his towering tenure as Artistic Director a…

SOURCE: DC Theatre Scene at 12:54pm on May 9, 2019[SHARE]

Review: The 39 Steps, a joy-buzzery production of the noir comedy from Rep Stage by Jayne Blanchard

If there was ever a time for old-fashioned spoofy fun, it's now. Your chance to goof off comes courtesy of Rep Stage's joy-buzzery production of The 39 Steps, directed by Joseph W. Ritsch wi…

SOURCE: DC Theatre Scene at 8:12pm on May 6, 2019[SHARE]

Review of Oslo. Round House Theatre's cast brings heat to Nordic high-stakes drama by Jayne Blanchard

If someone told you to run down to the Lansburgh Theater to see a three-hour play about back-channel diplomatic negotiations between Israel and the Palestine Liberation Army (PLO), you'd pro…

SOURCE: DC Theatre Scene at 2:33pm on May 1, 2019[SHARE]

Review: Black Pearl Sings! by Jayne Blanchard

Like my mama used to say, just because somebody asks for something doesn't mean you have to give it. In the case of the Alliance for New Music-Theatre's exemplary Black Pearl Sings!, it's a …

SOURCE: DC Theatre Scene at 12:15pm on April 23, 2019[SHARE]

Review: The Hunchback of Notre Dame, glorious and inspiring musical at Toby's Dinner Theatre by Jayne Blanchard

Toby's Dinner Theatre has been transformed into a cathedral for its towering production of The Hunchback of Notre Dame, including some of the most powerful and moving choral work you are lik…

SOURCE: DC Theatre Scene at 12:17pm on April 16, 2019[SHARE]

Review: Pantheon. Happenstance at play with the gods by Jayne Blanchard

Full disclosure:  As a mere slip of a girl I used to read Bullfinch's Mythology and Edith Hamilton's Mythology for fun and enlightenment and when I couldn't sleep I would populate the Gre…

SOURCE: DC Theatre Scene at 9:02am on April 10, 2019[SHARE]

Review: Dinner with Friends at Everyman Theatre by Jayne Blanchard

If breakups were only confined to the couple in question, life would be easier. Throw friends, children, potential new partners into the mix and it really takes a village to visit Splitsvill…

SOURCE: DC Theatre Scene at 11:16am on March 20, 2019[SHARE]

Review: Indecent. Paula Vogel's play is incandescent at Baltimore Center Stage by Jayne Blanchard

"This play changed my life," proclaims shtetl tailor-turned-stage-manager Lemml (Ben Cherry) in Paula Vogel's incandescent Indecent, and as you look up in wonder at the candle and stage-lit …

SOURCE: DC Theatre Scene at 5:33pm on March 8, 2019[SHARE]

Review: Twilight: Los Angeles, 1992. Rodney King witnessed by Jayne Blanchard

How can one play make you low in spirit but high on life? In less than two hours, Twilight: Los Angeles, 1992 takes you on a whip-smart ride between sadness that race and class issues remain…

SOURCE: DC Theatre Scene at 11:57am on March 5, 2019[SHARE]

Review: Nell Gwynn at Folger. A roaring good time on Capitol Hill by Jayne Blanchard

If there was ever a time for a bit of cheek, it's now. We could all use some impudent humor, especially of the female variety. And there's no better place than the august Folger Theatre, whe…

SOURCE: DC Theatre Scene at 9:32am on February 8, 2019[SHARE]

Review: Everything Is Wonderful, a hardspun joy of a play at Everyman by Jayne Blanchard

We quickly learn that Everything Is Wonderful is Amish shorthand for "Shut your pie hole, I beg you." But you wouldn't want to miss a single plainspoken word of this magnificent, wholehearte…

SOURCE: DC Theatre Scene at 11:48am on February 5, 2019[SHARE]

Review: Rent, Fox's TV version, turns Larson's grit into Disney squeaky clean by Jayne Blanchard

La Vie Boheme is not mort. On the contrary, it is shiny and perky as all get out. That could be a problem for those who consider Rent, the late Jonathan Larson's groundbreaking 1996 rock mus…

SOURCE: DC Theatre Scene at 12:48pm on January 28, 2019[SHARE]

Thank You, Dad review. A searing solo performance about Jim Jones and blind faith by Jayne Blanchard

Furloughed? Sick of snow? Cheer up. You could be a member of the People’s Temple. The Reverend Jim Jones (Lance Bankerd) and his tragically devoted followers are back from the jungles …

SOURCE: DC Theatre Scene at 9:04am on January 14, 2019[SHARE]

Review: A Wonder in My Soul at Baltimore Center Stage by Jayne Blanchard

“Laugh or cry; it’s up to you,” my mother used to say. At Baltimore Center Stage’s stirring production of acclaimed playwright Marcus Gardley’s play A Wonder In…

SOURCE: DC Theatre Scene at 8:12am on December 11, 2018[SHARE]

Review: The Importance of Being Earnest at Everyman by Jayne Blanchard

Bright as a boutonniere, Everyman’s production of Oscar Wilde’s The Importance of Being Earnest is a strutting peacock of a show that portrays the mores of Victorian society with…

SOURCE: DC Theatre Scene at 9:12pm on December 10, 2018[SHARE]
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