DESKTOP
Contact
The Season
On Broadway

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
185 stories by "Hugh Iglarsh"

Challah Days: A Review of Hershel and the Hanukkah Goblins at Strawdog Theatre Company by Hugh Iglarsh

This world premiere at Strawdog Theatre Company provides much-needed holiday fare for families of the non-Noel persuasion.

SOURCE: www.newcitystage.com at 1:30pm on December 6, 2018[SHARE]

One Ghost Will Do: A Review of The Woman in Black at Royal George Theatre by Hugh Iglarsh

There's no moral message or social insight to bog down this heart-pounding holiday journey at The Royal George Theatre.

SOURCE: www.newcitystage.com at 10:30am on November 21, 2018[SHARE]

Balance in the Labyrinth: A Review of Malaga (or the Inner Ear) at Theatre Y by Hugh Iglarsh

Theatre Y presents the English-language premiere of this disquieting exploration of sacrifice and parenting.

SOURCE: www.newcitystage.com at 1:00pm on November 9, 2018[SHARE]

No Holiday: A Review of Lady in Denmark at the Goodman Theatre by Hugh Iglarsh

The Goodman Theatre stages the world premiere of this bland and meandering reflection on the life of an artist who was anything but.

SOURCE: www.newcitystage.com at 12:30pm on November 5, 2018[SHARE]

Easy on the Ears: Nate Herman's Latest Enterprise Fuses Radio, Classic Hollywood Cinema and the Anything-Goes Attitude of Improv by Hugh Iglarsh

Combining his years as an improv artist with the storytelling possibilities of radio, Nate Herman's Films for the Ears produce one-of-a-kind, off-the-cuff events.

SOURCE: www.newcitystage.com at 10:00am on September 28, 2018[SHARE]

Slow Curve: A Review of Curve of Departure at Northlight Theatre by Hugh Iglarsh

The latest from Northlight Theatre follows a "ragtag little group of humans" through an increasingly contrived familial plot.

SOURCE: www.newcitystage.com at 2:15pm on September 24, 2018[SHARE]

Dig A Little Deeper: A Review of Nightmares & Nightcaps: The Stories of John Collier at Black Button Eyes Productions by Hugh Iglarsh

Black Button Eyes Productions captures the misanthropy in John Collier's stories but misses his sly take on the shadows surrounding civilized life.

SOURCE: www.newcitystage.com at 11:15am on August 21, 2018[SHARE]

Jersey By Way Of Athens: A Review of BLISS (Or Emily Post Is Dead!) at Promethean Theatre Ensemble by Hugh Iglarsh

There is not enough dramatic scaffolding to support the bulk of thematic materials in this world premiere from Promethean Theatre Ensemble.

SOURCE: www.newcitystage.com at 1:00pm on August 20, 2018[SHARE]

A Moveable Feast: A Review of Pamplona at the Goodman by Hugh Iglarsh

Returning to the Goodman Theatre a year after suffering a heart attack while on its stage, Stacy Keach consummates his performance of the tumultuous, iconic Ernest Hemingway in this affectin…

SOURCE: www.newcitystage.com at 6:00pm on July 25, 2018[SHARE]

Hunger Porn: A Review of Sickle at Red Theatre by Hugh Iglarsh

Like the fields tilled by the victims of Holodomor, Abbey Fenbert's new play at Red Theater Chicago needs air and space in order to properly grow.

SOURCE: www.newcitystage.com at 3:00pm on July 25, 2018[SHARE]

Ship of Fools: A Review of The Deck Chairs (or Make the Titanic Great Again) at The Conspirators by Hugh Iglarsh

The Conspirators present a multi-level satire of just about everything in this sharp-edged and in touch production.

SOURCE: www.newcitystage.com at 11:00am on June 25, 2018[SHARE]

Not Very Rich: A Review of A Little Night Music at Boho Theatre by Hugh Iglarsh

Performed in cramped quarters, BoHo Theatre's production of Sondheim's rarely revived musical reveals an ugliness beneath its polished, polyphonic surface.

SOURCE: www.newcitystage.com at 4:30pm on June 2, 2018[SHARE]

Dream A Little Dream: A Review of Cry It Out at Northlight Theatre by Hugh Iglarsh

Molly Smith Metzler's new play at Northlight Theatre explores the realities of modern motherhood.

SOURCE: www.newcitystage.com at 1:00pm on May 29, 2018[SHARE]

Making Imperialism Great Again: A Review of The Explorers Club at Citadel Theatre by Hugh Iglarsh

Nell Benjamin's play at Citadel Theatre attempts to pose reactionary nostalgia as feminist provocation.

SOURCE: www.newcitystage.com at 1:00pm on May 3, 2018[SHARE]

Good History: A Review of A Home on the Lake at Piven Theatre Workshop and Fleetwood-Jourdain Theatre by Hugh Iglarsh

Piven Theatre Workshop and Fleetwood-Jourdain Theatre co-produce this place-based world premiere about Evanston's racially-charged history.

SOURCE: www.newcitystage.com at 12:15pm on May 2, 2018[SHARE]

A Lane Worth Staying In: A Review of How I Learned to Drive at The Artistic Home by Hugh Iglarsh

The Artistic Home's production of Paula Vogel's Pultizer Prize-winning play is storefront theater at its very best.

SOURCE: www.newcitystage.com at 5:00pm on April 3, 2018[SHARE]

Sadistic Pageantry: A Review of The Beauty Queen of Leenane at Northlight Theatre by Hugh Iglarsh

Even the formidable leads of this Northlight Theatre production cannot rescue it from Martin McDonagh's bone-deep cynicism.

SOURCE: www.newcitystage.com at 12:15pm on March 29, 2018[SHARE]

Farewell, Hedy: An Open Letter to the Theater Community, Meaning All of Us by Hugh Iglarsh

Theater and art in general feed on attention and die of neglect.

SOURCE: www.newcitystage.com at 11:02am on March 25, 2018[SHARE]

Antihero For Our Time: A Review of An Enemy of the People at Goodman Theatre by Hugh Iglarsh

Intelligence minus sympathy and compassion equals arrogance in this Goodman Theatre production.

SOURCE: www.newcitystage.com at 4:00pm on March 24, 2018[SHARE]

Albanian Delight: A Review of Some Like It Red at The Plagiarists by Hugh Iglarsh

The Plagiarists mashup 1959 drag comedy "Some Like It Hot" and Shakespeare's "Twelfth Night" into an original and subversive world premiere.

SOURCE: www.newcitystage.com at 4:00pm on February 22, 2018[SHARE]

Grinding Away: A Review of Skeleton Crew at Northlight Theatre by Hugh Iglarsh

Northlight Theatre completes Dominique Morisseau's Detroit Trilogy with a production that exerts more force than her script offers.

SOURCE: www.newcitystage.com at 3:00pm on February 15, 2018[SHARE]

Towers of Hypocrisy: A Review of Pillars of the Community at Strawdog Theatre Company by Hugh Iglarsh

This Norwegian moral drama at Strawdog Theatre Company finds two prodigals returning home from America. Getting Ibsen's play to cross the gulf of time and space to Chicago, however, proves a…

SOURCE: www.newcitystage.com at 4:30pm on February 9, 2018[SHARE]

Trivial Pursuit: A Review of Blind Date at Goodman Theatre by Hugh Iglarsh

In the shadow of nuclear armament, this behind-the-scenes political comedy lacks exactly what its leads are at risk of destroying: life itself.

SOURCE: www.newcitystage.com at 11:00am on February 4, 2018[SHARE]

Beyond The Curtain: A Review of Red Velvet at Chicago Shakespeare Theater by Hugh Iglarsh

Lolita Chakrabarti's story of Ira Aldridge returns to Chicago sans fanfare.

SOURCE: www.newcitystage.com at 1:00pm on December 13, 2017[SHARE]

Holiday Humbug: A Review of I Saw My Neighbor on the Train and I Didn't Even Smile at Redtwist Theatre by Hugh Iglarsh

This dysfunctional family drama is heavy on the dysfunction and light on just about everything else.

SOURCE: www.newcitystage.com at 6:00pm on November 28, 2017[SHARE]
« Previous 25   Page 6 of 8   Next 25 »