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123 stories by "Gregory Fletcher"

Theater Review: FRANKENSTEIN (Shakespeare Theatre Company in D.C.) by Gregory Fletcher

NOT THE MONSTER YOU EXPECT: VICTOR FRANKENSTEIN IS THE VILLAIN Based on Mary Shelley's iconic novel, a bold retelling of Frankenstein opened last night at STC's Klein Theater in Washington D…

SOURCE: Stage and Cinema at 3:27pm on June 1, 2025[SHARE]

Off-Broadway Review: BLOOD, SWEAT, AND QUEERS (Untitled Theater Company No. 61 at Bohemian National Hall) by Gregory Fletcher

A FORGOTTEN CHAMPION RECLAIMED Rehearsal for Truth International Theater Festival, an annual showcase of contemporary European theater, is unfolding under the banner of Perseverance at Bohem…

SOURCE: Stage and Cinema at 11:27pm on May 26, 2025[SHARE]

Off-Broadway Review: CRACKED OPEN (Theatre Row) by Gregory Fletcher

A WELL-INTENTIONED LOOK AT MENTAL ILLNESS Dream Big World Theatre, Inc. opened Gail Kriegel's Cracked Open tonight at Off-Broadway's Theatre Row, tackling the complex and often stigmatized s…

SOURCE: Stage and Cinema at 2:00am on May 21, 2025[SHARE]

Off-Broadway Review: BOWL EP (Vineyard Theatre) by Gregory Fletcher

A SURREAL, SKATER-RAP FEVER DREAM I'm not going to lie"I am not the intended audience for Bowl EP. But make no mistake: this is a well-mounted, undeniably audacious performance that resonate…

SOURCE: Stage and Cinema at 11:24pm on May 18, 2025[SHARE]

Off-Broadway Review: THE LAST BIMBO OF THE APOCALYPSE (The New Group) by Gregory Fletcher

GOES FROM A Y2K POP TO GEN ZZZZZZZZ There was a buzz of anticipation in the air as the house lights blacked out at the Alice Griffin Jewel Box Theater"an audible fandom of excitement. Had cl…

SOURCE: Stage and Cinema at 12:13am on May 14, 2025[SHARE]

Broadway Review: JOHN PROCTOR IS THE VILLAIN (Booth) by Gregory Fletcher

JOHN PROCTOR GETS CANCELLED In an honors English classroom at a county high school in northeast Georgia, seven juniors are cracking open Arthur Miller's The Crucible. Mr. Smith (Gabriel Eber…

SOURCE: Stage and Cinema at 1:34am on May 12, 2025[SHARE]

Off-Broadway Review: THE ALGORHYTHMS (Monday Night Musicals at Magnet Theater) by Gregory Fletcher

MATH APPEAL The Monday Night Musicals series at the intimate Magnet Theater offers a vibrant platform for new work that blends comedic storytelling with musical innovation. Stripped down to …

SOURCE: Stage and Cinema at 7:42pm on May 8, 2025[SHARE]

Off-Broadway Review: THE END OF ALL FLESH (Magnet Theater} by Gregory Fletcher

FLESHING IT OUT OF THE PARK The Monday Night Musicals series at the intimate Magnet Theater is serving up a theatrical amusement for those who like their bluegrass pickin' with a side of pos…

SOURCE: Stage and Cinema at 6:55pm on May 8, 2025[SHARE]

Broadway Review: PIRATES! THE PENZANCE MUSICAL (Roundabout at Todd Haimes Theatre) by Gregory Fletcher

A JAZZY JUMBALAYA OF JOY The current revival of The Pirates of Penzance at the Todd Haimes Theatre isn't just a revival " it's a reincarnation. Yes, rechristened, reimagined, and thoroughly …

SOURCE: Stage and Cinema at 2:08am on May 5, 2025[SHARE]

Broadway Review: REAL WOMEN HAVE CURVES: THE MUSICAL (James Earl Jones Theatre) by Gregory Fletcher

FROM SWEATSHOP FLOORS TO BROADWAY DOORS: REAL WOMEN HAVE CURVES SEAMS TOGETHER A RUNWAY HIT The empowering new musical Real Women Have Curves, which opened Sunday night at the James Earl Jon…

SOURCE: Stage and Cinema at 2:59am on May 4, 2025[SHARE]

Off-Broadway Review: CEREMONIES IN DARK OLD MEN (The Peccadillo Theater Company and Negro Ensemble Company at Theatre at St. Clement's) by Gregory Fletcher

First produced by the Negro Ensemble Company in 1969, Lonne Elder III's Ceremonies in Dark Old Men became an immediate critical success and a defining work of its era. For decades, it stood …

SOURCE: Stage and Cinema at 2:59am on May 3, 2025[SHARE]

Off-Broadway Review: MYSTIC CONVERSATIONS (Theatre Row) by Gregory Fletcher

SEEING THE UNSEEN: JULIA BELL BARRY'S HAUNTING NEW PLAY Part memoir, part The Sixth Sense, Julia Barry Bell's new play, which opened tonight at Theatre Row, asks a haunting question: how do …

SOURCE: Stage and Cinema at 2:50am on April 28, 2025[SHARE]

Broadway Review: DEAD OUTLAW (Longacre Theatre) by Gregory Fletcher

DEATH BECOMES HIM In 2016, Steve Martin and Edie Brickell's Bright Star introduced a sound I'd never heard on Broadway"a blend of Americana and bluegrass so distinct it felt like a new music…

SOURCE: Stage and Cinema at 4:49pm on April 27, 2025[SHARE]

Theater Review: THE EMPLOYEES (A Performance-Installation by Łukasz Twarkowski at NYU Skirball) by Gregory Fletcher

HUMANS, BEST BE ON YOUR AVANT-GARDE The Employees, originally produced at Studio Teatrgaleria in Warsaw, is a visionary performance and installation work by Polish-born artist, writer and di…

SOURCE: Stage and Cinema at 3:45am on April 25, 2025[SHARE]

Off-Broadway Review: ALL THE WORLD'S A STAGE (Keen Company at Theatre Row) by Gregory Fletcher

A MEANINGFUL MUSICAL WHERE IDENTITY, ART, AND SILENCE COLLIDE IN 1996 PENNSYLVANIA The title might suggest a classical drama"perhaps something Shakespearean or starchy"but Keen Company's lat…

SOURCE: Stage and Cinema at 2:59am on April 24, 2025[SHARE]

Off-Broadway Review: GRIEF CAMP (Atlantic Theater Company) by Gregory Fletcher

NOTHING HAPPENS. EVERYTHING HURTS. If you're a fan of Annie Baker"whose plays of quiet revelatory naturalism include The Flick, Circle Mirror Transformation, John, and my personal favorite, …

SOURCE: Stage and Cinema at 10:40pm on April 22, 2025[SHARE]

Off-Broadway Review: GLASS. KILL. WHAT IF IF ONLY. IMP. (Quartet of Caryl Churchill Plays at The Public Theater) by Gregory Fletcher

KNEEL AT THE CHURCH OF CHURCHILL A drum roll begins each act and ends with a cymbal crash. Paired with the red front curtain and chaser lights outlining the proscenium arch, one might brace …

SOURCE: Stage and Cinema at 10:48pm on April 16, 2025[SHARE]

Dance Review: AMOUR, ACIDE ET NOIX (Daniel Léveillé Dance at NYU Skirball) by Gregory Fletcher

THE NAKED TRUTH In Amour, Acide et Noix, Canadian choreographer Daniel Léveillé presents a stark and unflinching meditation on the human form"one that reduces dance to its most essential c…

SOURCE: Stage and Cinema at 2:30am on April 12, 2025[SHARE]

Off-Broadway Review: MASTERCLASS (NYC Skirball) by Gregory Fletcher

WHITEOUT NYU Skirball adheres closely to James Baldwin's dictum: "Artists are here to disturb the peace." With the U.S. premiere of Masterclass, Skirball's mission has been resoundingly fulf…

SOURCE: Stage and Cinema at 2:50am on March 29, 2025[SHARE]

Off-Broadway Review: WHO IS JIMMY PANTS? (York Theatre) by Gregory Fletcher

IT'LL KNOCK THE PANTS OFF O' YOUSE Who Is Jimmy Pants? is the second production in the York's Spring 2025 "New2NY" series, presented at the Theater at St. Jean's on East 76th Street"a welcom…

SOURCE: Stage and Cinema at 2:50am on March 27, 2025[SHARE]

Off-Broadway Review: UPSIDE DOWN (AMT Theater) by Gregory Fletcher

UPSIDE DOWN A STRAIGHT UP MUSICAL SATIRE I admire AMT Theater for two key reasons: its dedication to developing new works"particularly musicals, which I've witnessed in the past"and its comm…

SOURCE: Stage and Cinema at 2:49am on March 22, 2025[SHARE]

Theater Interview: JASON TAM (currently performing in "The Jonathan Larson Project" at NYC's The Orpheum Theatre) by Gregory Fletcher

EMBRACIN' JASON For many, Jason Tam first made a lasting impression with his unforgettable audition for Paul in the Broadway revival of A Chorus Line, as seen in the documentary Every Little…

SOURCE: Stage and Cinema at 5:37pm on March 17, 2025[SHARE]

Off-Broadway Review: GRANGEVILLE (Samuel D. Hunter World Premiere by Signature Theatre) by Gregory Fletcher

LOOK HOMEWARD, ANGEL In what may be the slowest lights-up in New York theater, the first cue of Grangeville takes several minutes to complete"perhaps a 400 count. But lighting designer Stace…

SOURCE: Stage and Cinema at 12:46pm on March 17, 2025[SHARE]

Off-Broadway Review: AS TIME GOES BY (Out of the Box Theatrics at 154 Christopher Street) by Gregory Fletcher

Danny Brown's two-hander opens with an orgasm and closes with a cathartic cleansing. Between these bold bookends lies 90 minutes of small talk"covering everything from sex and relationships …

SOURCE: Stage and Cinema at 9:29am on March 10, 2025[SHARE]

Theater Interview: KEVIN CSOLAK (Currently Starring as 'Tulsa' in Gypsy with Audra McDonald) by Gregory Fletcher

KEVIN CSOLAK HAS HIS HOPES HIGH, NOT TO MENTION THE TIME, PLACE AND RHYTHM Kevin Csolak (pronounced SO-lack) is currently playing Tulsa in the Broadway production of Gypsy with Audra McDo…

SOURCE: Stage and Cinema at 10:25pm on March 6, 2025[SHARE]
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