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576 stories by "Gary Naylor"

An Interrogation, Hampstead Theatre review - police procedural based on true crime tale fails to ring true by Gary Naylor

★★★ AN INTERROGATION, HAMPSTEAD THEATRE Detective gets her man, but at what cost? Rosie Sheehy and Jamie Ballard shine in Edinburgh Festival import In a dingy room with …

SOURCE: The Arts Desk at 9:42pm on January 24, 2025[SHARE]

Cymbeline, Sam Wanamaker Playhouse review - pagan women fight the good fight by Gary Naylor

★★★ CYMBELINE, SAM WANAMAKER PLAYHOUSE Patriarchy defeated! A new, if not as radical as once it were, take on Shakespeare's cross-dressing call to arms There's not much…

SOURCE: The Arts Desk at 11:42am on January 24, 2025[SHARE]

The Lonely Londoners, Kiln Theatre review - Windrush Generation arrive in a London full of opportunities, but not for them by Gary Naylor

★★★★ THE LONELY LONDONERS, KILN THEATRE A beautifully realised stage adaptation Memories, frustrations and hopes in a city emerging from post-war austerity As som…

SOURCE: The Arts Desk at 3:18pm on January 23, 2025[SHARE]

The Maids, Jermyn Street Theatre review - new broom sweeps clean in fierce revival by Gary Naylor

★★★★ THE MAIDS, JERMYN STREET THEATRE Master and Servant, poison & procrastination Class, in its 21st century manifestation, colours much performed play There ar…

SOURCE: The Arts Desk at 9:18pm on January 12, 2025[SHARE]

Titanique, Criterion Theatre review - musical parody sinks despite super singing by Gary Naylor

★ TITANIQUE, CRITERION THEATRE Celine! Tina! Jack and Rose! But no wit at all Affectionate piss-take set for cult status at best This Celine Dion jukebox musical has been a big hit in …

SOURCE: The Arts Desk at 9:24pm on January 9, 2025[SHARE]

Twelfth Night, Royal Shakespeare Theatre review - comic energy dissipates in too large a space by Gary Naylor

★★★ TWELFTH NIGHT The winter comedy provides more chills than chuckles despite a funny fool Too much thinking; not enough laughing It is not just Twelfth Night, it's Twe…

SOURCE: The Arts Desk at 8:42pm on December 21, 2024[SHARE]

Natasha, Pierre & the Great Comet of 1812, Donmar Warehouse review - a blazingly original musical flashes into the West End by Gary Naylor

★★★★ NATASHA, PIERRE & THE GREAT COMET OF 1812, DONMAR WAREHOUSE Broadway show takes eight years to traverse the Atlantic, but proves worth the wait War and Pe…

SOURCE: The Arts Desk at 3:02pm on December 17, 2024[SHARE]

Hansel and Gretel, Shakespeare's Globe review - too saccharine a retelling for our times by Gary Naylor

★★★ HANSEL AND GRETEL, SHAKESPEARE'S GLOBE More wicked witch, less sunny siblings please Songs and sweeties, but insufficient sourness and sadism for fans of fairytales …

SOURCE: The Arts Desk at 8:18pm on December 6, 2024[SHARE]

The Lightning Thief: The Percy Jackson Musical - all Greek to me by Gary Naylor

★★ THE LIGHTNING THIEF, THE OTHER PALACE One for fans of the franchise Myths and monsters make for a curiously bland and bloodless musical Percy Jackson is neither the missing…

SOURCE: The Arts Desk at 3:48am on November 30, 2024[SHARE]

All's Well That Ends Well, Sam Wanamaker Playhouse review - Shakespeare at his least likeable by Gary Naylor

★★★ ALL'S WELL THAT ENDS WELL, SAM WANAMAKER PLAYHOUSE Despite its compansations, the play is hard to watch New production lands on shaky ground in 2024 "All's well that…

SOURCE: The Arts Desk at 10:48pm on November 24, 2024[SHARE]

King James, Downstairs at Hampstead Theatre review - UK premiere drains a three-pointer by Gary Naylor

★★★★ KING JAMES, HAMPSTEAD THEATRE Two Cleveland lads bond, break and bond again in perceptive dramedy Beautifully crafted play tracks two men's relationship, as LeBr…

SOURCE: The Arts Desk at 9:31pm on November 22, 2024[SHARE]

[title of show], Southwark Playhouse review - two guys and two girls write about writing, delightfully by Gary Naylor

★★★★ [TITLE OF SHOW], SOUTHWARK PLAYHOUSE Two decades on, this meta-musical retains its charm Revival of New York show lifts the spirits Not just a backstage musica…

SOURCE: The Arts Desk at 9:36pm on November 19, 2024[SHARE]

Bunrt-Up Love, Finborough Theatre review - scorching new play by Gary Naylor

★★★★ BURNT-UP LOVE, FINBOROUGH THEATRE Ferocious three-hander finds love too hot to handle Super writing and acting jolts us out of complacency Mac is in prison for …

SOURCE: The Arts Desk at 9:06pm on November 10, 2024[SHARE]

How To Survive Your Mother, King's Head Theatre review - mummy issues drive autobiographical dramedy by Gary Naylor

★★★ HOW TO SURVIVE YOUR MOTHER, KING'S HEAD THEATRE Jonathan Maitland writes of his mother, but should we laugh or cry? Lots of heartache, but a strange void where the hear…

SOURCE: The Arts Desk at 9:42pm on October 30, 2024[SHARE]

The Forsyte Saga Parts 1 and 2, Park Theatre review - if Chekhov did soap operas by Gary Naylor

★★★★ THE FORSYTE SAGA PARTS 1 AND 2, PARK THEATRE Epic adaptation falls away a little, but still packs a punch Joseph Millson leads a super cast in a classy produ…

SOURCE: The Arts Desk at 9:06pm on October 25, 2024[SHARE]

Autumn, Park Theatre review - on stage as in politics, Brexit drama promises much, but loses its way by Gary Naylor

★★★ AUTUMN, PARK THEATRE Adaptation of Ali Smith's acclaimed novel drifts when it should bite Promising production, beautifully acted, slides into side plots and confusi…

SOURCE: The Arts Desk at 12:02am on October 21, 2024[SHARE]

Land of the Free, Southwark Playhouse review - John Wilkes Booth portrayed in play that resonates across 160 years by Gary Naylor

★★ LAND OF THE FREE, SOUTHWARK PLAYHOUSE Good timing, but clunky structure and plodding pace limits appeal A president shot, as a divided country seeks political solutions Str…

SOURCE: The Arts Desk at 9:06pm on October 17, 2024[SHARE]

Knife on the Table, Cockpit Theatre review - gangsters grim, not glamorous by Gary Naylor

★★★ KNIFE ON THE TABLE, COCKPIT THEATRE London teenagers pulled into gang culture's world of drugs, knives and misery  This is exactly the kind of play that should be…

SOURCE: The Arts Desk at 8:54pm on October 16, 2024[SHARE]

The Lehman Trilogy, Gillian Lynne Theatre review - Three brothers, two crashes, one American Dream by Gary Naylor

★★★★ THE LEHMAN TRILOGY The rise and rise and rise of an iconic Wall Street institution - and its collapse    Sensational stagecraft elevates familiar tale o…

SOURCE: The Arts Desk at 9:12pm on October 10, 2024[SHARE]

French Toast, Riverside Studios review - Racine-inspired satire finds its laughs once up-and-running by Gary Naylor

★★★ FRENCH TOAST The English and the French, the men and the women, the young and the old, lock horns in 70s farce   Comedy gains momentum when characters are roun…

SOURCE: The Arts Desk at 9:18pm on October 8, 2024[SHARE]

Here in America, Orange Tree Theatre review - Elia Kazan and Arthur Miller lock horns in McCarthyite America by Gary Naylor

★★★ HERE IN AMERICA David Edgar's new play sounds a warning from the past  When political expediency intervenes in a personal and professional friendship, what should…

SOURCE: The Arts Desk at 9:48pm on September 24, 2024[SHARE]

The Truth About Harry Beck, London Transport Museum Cubic Theatre review - mapping the life of the London Underground map's creator by Gary Naylor

★★★ THE TRUTH ABOUT HARRY BECK Nostalgic comedy about the man who originated an everyday design classic An English eccentric quietly re-invents our view of the capital I…

SOURCE: The Arts Desk at 9:42pm on September 19, 2024[SHARE]

The Band Back Together, Arcola Theatre review - three is a dangerous number by Gary Naylor

★★★ THE BAND BACK TOGETHER AGAIN The perils of turning back the clock laid bare The second album is still tough, even if you never recorded the first We meet Joe first a…

SOURCE: The Arts Desk at 10:42pm on September 14, 2024[SHARE]

Kim's Convenience, Riverside Studios review - KC and the sunshine vibe by Gary Naylor

★★★ KIM'S CONVENIENCE, Gentle comedy delivers laughs, but proves too safe and too predictable  The play that inspired a Netflix series is heartwarming, but needs more…

SOURCE: The Arts Desk at 9:36pm on September 13, 2024[SHARE]

Why Am I So Single?, Garrick Theatre review - superb songs in Zeitgeist surfing show by Gary Naylor

★★★ WHY AM I SO SINGLE?, GARRICK THEATRE Six's writers lay bare their souls in new musical Marlow and Moss are back with deeply personal exploration of how lives are liv…

SOURCE: The Arts Desk at 9:36pm on September 12, 2024[SHARE]
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