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1,078 stories by "Editor-In-Chief"

Have You Met Jane Goodall and her Mother? by Victor Gluck, Editor-in-chief

Who knew that a biographical play could be so witty, entertaining and charming? The latest EST/Sloan Project science play, Michael Walek's "Have You Met Jane Goodall and Her Mother?" is one …

SOURCE: www.theaterscene.net at 11:33pm on March 16, 2025[SHARE]

Dakar 2000 by Victor Gluck, Editor-in-chief

The play moves by unexpected twists and turns which are both amusing and engrossing. We never do find out for certain if Dina is a spy or not. However, she does tell Boubs that she was stati…

SOURCE: www.theaterscene.net at 4:24pm on March 13, 2025[SHARE]

La Gota Fria: The Cold Sweat by Victor Gluck, Editor-in-chief

Anna Capunay has attempted to write a family drama in order to influence people to try alternatives to chemo and radiation. Unfortunately, in using her own family story, she has not thought …

SOURCE: www.theaterscene.net at 12:55am on March 10, 2025[SHARE]

Conversations with Mother by Victor Gluck, Editor-in-chief

While the characters do not change much, they roll through the years dealing with the various crises with various levels of success. However, the play is peppered with one liners and zingers…

SOURCE: www.theaterscene.net at 11:08pm on March 7, 2025[SHARE]

On the Evolutionary Function of Shame by Victor Gluck, Editor-in-chief

The author complicates the issue by bringing in autism (Margot) and Alzheimer's (the unseen father of Adam 2 and Eve 2.) When asked if she would want her autism cured, Margot answers: "I mig…

SOURCE: www.theaterscene.net at 10:30pm on March 4, 2025[SHARE]

The Price by Victor Gluck, Editor-in-chief

Arthur Miller has always been our major playwright of moral ambiguity, never more so than in his 1968 drama "The Price," now receiving its first Off Broadway revival. The metaphoric title re…

SOURCE: www.theaterscene.net at 6:28pm on March 2, 2025[SHARE]

Garside's Career by Victor Gluck, Editor-in-chief

While Dickson's production is elegant and pitch-perfect for its 1914 era, the characterizations are partly satiric and off base. While Daniel Marconi is fine as the designing, unprincipled a…

SOURCE: www.theaterscene.net at 4:41pm on February 28, 2025[SHARE]

Liberation by Victor Gluck, Editor-in-chief

Bess Wohl's latest play is the ambitious and engrossing "Liberation," her attempt to investigate the roots of the Women's Liberation Movement back in the 1970s from a decidedly contemporary …

SOURCE: www.theaterscene.net at 11:10am on February 25, 2025[SHARE]

My Man Kono by Victor Gluck, Editor-in-chief

The world premiere of Philip W. Chung's My Man Kono tells the fascinating but little known true story of Toraichi Kono, chauffeur, valet and private secretary to Charlie Chaplin, who was cau…

SOURCE: www.theaterscene.net at 9:19pm on February 18, 2025[SHARE]

No Reservation by Victor Gluck, Editor-in-chief

Conceived, written and directed by Elizabeth Hess, "No Reservation" is a celebration of "the lost feminine to give voice to all who have been discarded, silenced and overlooked." The perform…

SOURCE: www.theaterscene.net at 6:12pm on February 16, 2025[SHARE]

The Antiquities by Victor Gluck, Editor-in-chief

Kristen Sieh and Amelia Workman in a scene from Jordan Harrison's "The Antiquities" at Playwrights Horizons (Photo credit: Emilio Madrid) Jordan Harrison's plays like Marjorie Prime and Log …

SOURCE: www.theaterscene.net at 6:09pm on February 15, 2025[SHARE]

Still by Victor Gluck, Editor-in-chief

Mark Moses and Melissa Gilbert in a scene from Lia Romeo's "Still" at The Sheen Center for Thought & Culture's Loreto Theatre (Photo credit Maria Baranova) Lia Romeo's bittersweet Still …

SOURCE: www.theaterscene.net at 10:51pm on February 13, 2025[SHARE]

Mrs. Loman by Victor Gluck, Editor-in-chief

The play is not very consistent with life in 1949. It is unlikely that middle class married women cursed, smoked marijuana, quoted Simone de Beauvoir or engaged in affairs with other women. …

SOURCE: www.theaterscene.net at 5:25pm on February 9, 2025[SHARE]

Kowalski by Victor Gluck, Editor-in-chief

Robin Lord Taylor as Tennessee Williams and Brandon Flynn as Marlon Brando in a scene from Gregg Ostrin's "Kowalski" at The Duke on 42nd Street (Photo credit: Russ Rowland) Tennessee William…

SOURCE: www.theaterscene.net at 2:15pm on January 31, 2025[SHARE]

Mindplay by Victor Gluck, Editor-in-chief

When the audience enters the theater, they are asked to fill out a slip of paper with one word that has been on their mind. Part of the show is made up of audience participation and these sl…

SOURCE: www.theaterscene.net at 9:42pm on January 21, 2025[SHARE]

300 Paintings by Victor Gluck, Editor-in-chief

Not only are the paintings massive but they also cover all sorts of modern periods of art without Kissajukian having known their work (abstract work by Picasso, Matisse, Joan Miró, Jackso…

SOURCE: www.theaterscene.net at 11:41pm on January 20, 2025[SHARE]

Show/Boat: A River by Victor Gluck, Editor-in-chief

If only he had carried through on that idea. We will never know if this staging might have worked as Herskovits has sabotaged all that is best in the original and made it both more confusing…

SOURCE: www.theaterscene.net at 3:26pm on January 17, 2025[SHARE]

Gypsy by Victor Gluck, Editor-in-chief

Audra McDonald in a scene from George C. Wolfe's production of "Gypsy" at the Majestic Theatre (Photo credit: Julia Cervantes) Mama Rose in the musical Gypsy, the 1959 collaboration of Arthu…

SOURCE: www.theaterscene.net at 6:01pm on January 14, 2025[SHARE]

Cult of Love by Victor Gluck, Editor-in-chief

Must you love your immediate family unconditionally if you know they drive you crazy? And must you show up for family gatherings like Christmas if it always evolves into a vicious fighting m…

SOURCE: www.theaterscene.net at 11:46pm on December 26, 2024[SHARE]

Bashevis's Demons: 3 Tales by Isaac Bashevis Singer by Victor Gluck, Editor-in-chief

Typical of Singer stories about 19th century Polish Jewry, these three dramatizations combine Jewish mysticism and demonology with Baker as the narrator of two of the stories while also play…

SOURCE: www.theaterscene.net at 5:33pm on December 25, 2024[SHARE]

A Guide for the Homesick by Victor Gluck, Editor-in-chief

Director Shira Milikowsky keeps increasing the tension as the 85-minute play peels away revelation after revelation. Each man has a guilty secret and may have betrayed a friend which is eati…

SOURCE: www.theaterscene.net at 5:57pm on December 17, 2024[SHARE]

Duality by Victor Gluck, Editor-in-chief

If one did not read Laura's extensive program notes in the Playbill given out at the Jeffrey and Paula Gural Theatre at the A.R.T./New York Theatres, it would not be until three quarters of …

SOURCE: www.theaterscene.net at 11:30pm on December 11, 2024[SHARE]

Mama, I'm a Big Girl Now! by Victor Gluck, Editor-in-chief

The trio demonstrates that their voices are as supple and fine as they ever were. Each gets to play their best suit: Winokur's loud, clarion voice, Bundy's wry wit and Butler's recounting he…

SOURCE: www.theaterscene.net at 6:39pm on December 4, 2024[SHARE]

The Blood Quilt by Victor Gluck, Editor-in-chief

Katori Halls' "The Blood Quilt" is fine as a family drama about warring sisters who both love and resent the mother who has just died. However, as a story of secrets and revelations it takes…

SOURCE: www.theaterscene.net at 11:38pm on December 2, 2024[SHARE]

The Merchant of Venice (Arlekin Players Theatre) by Victor Gluck, Editor-in-chief

There is much rewriting and updating plus uncalled for interpolation like speeches from 'Romeo and Juliet" for Jessica and one of Shakespeare's sonnets ("My Mistress' eyes are nothing like t…

SOURCE: www.theaterscene.net at 3:41pm on November 30, 2024[SHARE]
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