Djembe! The Show works much better as theater for kids than inspiration for adults
The drumming is fun, but the corporate-speak is not. Everything about Djembe! The Show starts to make more sense when you imagine it out of its current context"t…
The drumming is fun, but the corporate-speak is not. Everything about Djembe! The Show starts to make more sense when you imagine it out of its current context"t…
New Colony's production dances around juicy subjects without fully committing to any of them. Three Disney World cast members find themselves trapped in the smol…
"No one ever wrote a fairy tale about polyamory!" Inclusion of full and frequent nudity is so vital to the gay throuple drama Afterglow that, according to playwr…
"If you're doing something associated with puppetry in Chicago, you have to think about Blair." If anybody knows puppets"like really knows puppets"it's Blair Th…
Sarah Ruhl's contemporary farce crosses the line from self-awareness to self-parody. Playwright Sarah Ruhl is on the record as not loving the words "quirky" or "…
Where true confessions meet Texas history and Phil Collins trivia It's a dubious honorific, but the press release for Nick Hart's metatheatrical, deadpan, quirkt…