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216 stories by "Christopher Henley"

Ten Blocks on the Camino Real Review. Tennessee Williams as seen by National Theatre of Ghana by Christopher Henley

Adventurous DC theatre-goers, act now. You have but two more opportunities to see something unique and artistically gratifying: The National Theatre of Ghana performing its version of Tennes…

SOURCE: DC Theatre Scene at 11:36am on September 26, 2017[SHARE]

A western for kids: The Legend of Pufferfish Pat: A Tall Tale for Mad Times (review) by Christopher Henley

It's always satisfying to discover something you weren't very aware of beforehand. Last weekend, my kids and I had a great time at The Legend of Pufferfish Pat, the latest offering from Inte…

SOURCE: DC Theatre Scene at 1:06pm on September 14, 2017[SHARE]

Circus! at Puppet Co (review of The Greatest Show on Strings) by Christopher Henley

The Greatest Show on Strings! This is how our Ringmaster describes Circus! at The Puppet Co. after he has entered the stage's single ring. What follows is thirty-five minutes of engaging big…

SOURCE: DC Theatre Scene at 11:48am on August 8, 2017[SHARE]

The Kinsey Sicks in Things You Shouldn't Say (review) by Christopher Henley

I've just spent a most unexpectedly engaging evening at the theatre, seeing the "dragapella beautyshop quartet" known as The Kinsey Sicks in their return to Theater J, whereat they've been i…

SOURCE: DC Theatre Scene at 12:12pm on July 20, 2017[SHARE]

Views of the Helen Hayes Awards from Laura Giannarelli, who's attended all 33. by Christopher Henley

Laura Giannarelli has been to each Helen Hayes Awards ceremony since the inception of the awards. As this is the 33rd annual, she's heard "and the award goes to" many, many times. As it was …

SOURCE: DC Theatre Scene at 9:33am on May 18, 2017[SHARE]

Chris Henley's night out at the Helen Hayes Awards by Christopher Henley

Awards shows are their own animal. Each iteration has its distinctive aspects, but, no matter how much they try to fight the basic formula, it's hard to avoid similarities: acceptance speech…

SOURCE: DC Theatre Scene at 9:33am on May 18, 2017[SHARE]

Her life in theatre: casting director Naomi Robin reflects back as she ends her career at Theater J by Christopher Henley

"Thirteen wonderful years." As this theatre season comes to its end, an era will come to an end as Naomi Robin leaves her job at Theater J as its long-time Casting Director. Naomi is a fr…

SOURCE: DC Theatre Scene at 11:24am on May 12, 2017[SHARE]

Fun Home justifies its Tonys at The National Theatre (review) by Christopher Henley

About halfway through Fun Home, which opened Wednesday night at the National Theatre, ten year-old Alison is in a coffee shoppe with her Dad. It's the second time during the show that father…

SOURCE: DC Theatre Scene at 9:54am on April 21, 2017[SHARE]

Joseph Ritsch gives us a close look into Dorian's Closet, Rep Stage's new musical by Christopher Henley

Dorian's Closet is a musical about the life of the drag performer Dorian Corey, mainstay of the Harlem ball scene and "Mother" of the House of Corey. She died in 1993, just a few years after…

SOURCE: DC Theatre Scene at 12:42pm on April 18, 2017[SHARE]

Life after Studio: Joy Zinoman, A free, fierce spirit for 35 years and counting by Christopher Henley

“Since it was my decision and my timing and my will, it was easy, on that level," Joy Zinoman said when I asked her if it had been easy to stop leading The Studio Theatre, the company …

SOURCE: DC Theatre Scene at 3:31pm on April 14, 2017[SHARE]

Shakespeare isn't the only Bard: Charlene V Smith, talking about Brave Spirits' Incest Rep by Christopher Henley

"A King and No King has never been professionally staged in the DC metropolitan area before, and it's our fifth play from the early modern era that we can say that about, in just six years o…

SOURCE: DC Theatre Scene at 10:54am on March 31, 2017[SHARE]

The uncompromising Ms Zinoman, legendary Studio founder, on directing Blood Knot for Mosaic Theater Company by Christopher Henley

"It's like rehearsals are on fire." Say "Joy" to anyone at all involved with theatre in DC " as practitioner or as audience " and that person will know immediately that you are talk…

SOURCE: DC Theatre Scene at 10:42am on March 29, 2017[SHARE]

Human actors get trapped in the Disney techno-spell cast over Beauty and the Beast (review) by Christopher Henley

The idea seemed promising: take a classic, well-loved, mega-popular animated Disney film and remake it as a live-action movie; hire an accomplished, imaginative director; cast it with good a…

SOURCE: DC Theatre Scene at 6:54pm on March 24, 2017[SHARE]

Paper Dreams, dance theatre for the very young, at Imagination Stage (review) by Christopher Henley

A charming Continental vibe pervades Paper Dreams, the latest offering at Imagination Stage in its series (called "My First Imagination Stage") that is specifically designed for very young a…

SOURCE: DC Theatre Scene at 11:12am on March 17, 2017[SHARE]

Elevator Repair Service's The Select (The Sun Also Rises) at STC (review) by Christopher Henley

Three hours and ten minutes breeze by in The Select, Elevator Repair Service's delightfully inventive riff on Ernest Hemingway's classic novel The Sun Also Rises. I thoroughly enjoyed it, am…

SOURCE: DC Theatre Scene at 11:42am on March 1, 2017[SHARE]

Robert Joy puts TV and film career on hold for role of a lifetime in King Charles III by Christopher Henley

"This role " and this play " lifts off the Earth. It flies in a certain way. It's such a great role and a great play." Robert Joy, who has had a remarkable career in theatre, film, and telev…

SOURCE: DC Theatre Scene at 11:24am on February 15, 2017[SHARE]

Holly Twyford on being Edward Albee's Martha at Ford's Theatre by Christopher Henley

"When I leave here, I will try not to talk for the rest of the day." It was 9:30am when I met Holly Twyford for a chat about the rigors of playing Martha in Who's Afraid of Virginia Woolf?, …

SOURCE: DC Theatre Scene at 11:18am on February 6, 2017[SHARE]

An actor's life: Remembering Steve Wilhite by Christopher Henley

The last of many plays I worked on with Steve Wilhite was Richard II at WSC Avant Bard (then called Washington Shakespeare Company). I played the title role; Steve played Thomas Mowbray, Duk…

SOURCE: DC Theatre Scene at 10:33am on January 13, 2017[SHARE]

Jonathan Padget, whose tip located Tricia McCauley, decries systemic failures in DC by Christopher Henley

Through her work as an actor, as a yoga instructor, as an urban gardener, and as a nutritionist/herbalist, Tricia McCauley had a large network of colleagues and friends. On the day after Chr…

SOURCE: DC Theatre Scene at 8:18am on January 9, 2017[SHARE]

Film Review: Denzel Washington brings Wilson's powerful Fences to the screen by Christopher Henley

A great film version of a great play is a rare thing. More often than not, the alchemy that results in success on stage resists translation to the screen,  and film history is replete wit…

SOURCE: DC Theatre Scene at 2:33pm on January 6, 2017[SHARE]

TAME./Shrew Part Two: Shrew views and dangerous plays or what's a theatre for? by Christopher Henley

Last week, we posted Part One of my talk with three local theatre-makers who have engaged Shakespeare's troublesome early comedy The Taming of the Shrew. Jonelle Walker's TAME. runs through …

SOURCE: DC Theatre Scene at 12:02pm on December 1, 2016[SHARE]

Remembering DC actor/director Richard M. Mancini, whose memorial is this Sunday at Keegan by Christopher Henley

So many of the benchmarks from my almost forty years working in the small professional theatre scene in Washington, DC were shared with my dear friend Richard Mancini. Opening the original S…

SOURCE: DC Theatre Scene at 12:31pm on November 25, 2016[SHARE]

A View from the Bridge at The Kennedy Center (review) by Christopher Henley

Arthur Miller's A View From the Bridge was an experiment. Miller wanted to take the elements of Greek tragedy and focus them on a protagonist who is not a ruler or a great warrior, but inste…

SOURCE: DC Theatre Scene at 8:48pm on November 22, 2016[SHARE]

TAME./Shrew: Three women talk about facing the Bard's troubling play head on by Christopher Henley

WSC Avant Bard is presenting a world premiere and critics have lavished praise on its playwright. "Jonelle Walker's vivid, artfully unnerving TAME. is a retort to Shakespeare's The Taming of…

SOURCE: DC Theatre Scene at 6:42pm on November 22, 2016[SHARE]

Mitchell Hébert on the challenge of playing Roy Cohn by Christopher Henley

"You have to get to a place where you can just get out of your own way to play this guy." "This guy" is the infamous Roy Cohn, who is the real-life antagonist in Tony Kushner's epic, two-eve…

SOURCE: DC Theatre Scene at 12:38pm on October 6, 2016[SHARE]
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