356 stories by "Brian Seibert"
Twyla Tharp led the way with her distinct brand of American classicism, along with other artists who stepped it up.
Ephrat Asherie's "Shadow Cities" pairs her group's adept dancers with live music by the great Arturo O'Farrill.
After 40 years of making dances as complicated as human consciousness, Tere O'Connor revives his first work at New York Live Arts. Bonus: He will talk about it.
Maija GarcÃa's "Jazz Island" is a full-company narrative of a kind that Ailey hasn't done in a while. And it features an Afro-Caribbean score by Etienne Charles.
At the Joyce Theater, "American Street Dancer" offers a history lesson in the form of a family's house party.
Ruth Childs, the niece of the renowned choreographer Lucinda Childs, got over being intimidated by her aunt's achievements. Now, she debuts her own work in New York.
The French troupe Compagnie Dyptik is making its United States debut with a show seemingly inspired by pandemic isolation and its aftermath.
Abigail Levine's new work, at Target Margin Theater, is terrific as a kind of enhanced reading, but lags on the level of choreography.
In "What Is War," two singular artists, Eiko Otake and Wen Hui, grapple with memories of China and Japan in World War II.
At the new Powerhouse: International festival in Brooklyn, Christos Papadopoulos debuted an oblique, glacially cool work with seven dancers.
American Ballet Theater opened its season with an all-Twyla Tharp program, featuring her first dance for the company, "Push Comes to Shove," and the for-the-ages "Bach Partita."
The Limón Dance Company tries to shake up its image with a world premiere by Diego Vega Solorza and a reimagined "Emperor Jones."
A festival at the Joyce Theater leaves out the Age of Aquarius work that made this choreographer popular, presenting surprisingly old-fashioned ballet instead.
The annual festival, popular for its take-a-chance-priced tickets, opened with a show featuring work by Jamar Roberts, the tap dancer Dario Natarelli and Akram Khan.
Mette Ingvartsen's "Skatepark" will inaugurate the new Powerhouse: International festival, showcasing the vast performing space of Powerhouse Arts in Gowanus, Brooklyn.
At Japan Society, Emergences celebrates Mishima's centennial. "One of the things that I absolutely love about Mishima is that I don't absolutely love him," said one participant.
The Down to Earth festival answers a pandemic-era call for changes in the performing arts, offering free events in city parks and urban spaces.
A tempestuous new work by the choreographers Bobbi Jene Smith and Or Schraiber debuts at Little Island.
Tiler Peck has curated a program of Robbins's dances at the Joyce Theater featuring casts of ballet luminaries and rising stars.
Her connection to the great modern dancer lasted a lifetime, from studying with her as a child to leading the Martha Graham Dance Company as an artistic director.
Noche Flamenca's new production was less focused than usual on its standout, Soledad Barrio, making room for talented soloists.
To celebrate the shows' golden anniversaries, the Broadway star Robyn Hurder demonstrates what makes their choreography so special.
In American Ballet Theater's production, four principal dancers made their debuts in the role, which carries the ballet.
Swing and Lindy Hop, dance forms created by Black Americans in the 1920s and '30s, are flowering in Korea. New York will get a taste in a mini festival.
Her stewardship of the troupe that bears his name became a model for other dance companies, like Martha Graham's, after their founders died.
