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1,487 stories by "BEN BRANTLEY"

'Queens Row' Review: Richard Maxwell on Life After Doomsday by Ben Brantley

In this stark, eloquent new play, three women reflect on what remains in the aftermath of an American civil war.

SOURCE: The New York Times Subscription at 2:36pm on January 10, 2020[SHARE]

Review: James McAvoy's Rapping Cyrano Dazzles With Words by Ben Brantley

In Martin Crimp's time-bending version of the Rostand "Cyrano de Bergerac," directed by Jamie Lloyd, people make love and war through glorious language.

SOURCE: The New York Times Subscription at 3:48pm on January 8, 2020[SHARE]

Reimagining Old Friends at the National Theater in London by Ben Brantley

New takes on beloved works by Elena Ferrante, Anton Chekhov and Neil Gaiman testify to the pleasures and perils of adaptation.

SOURCE: The New York Times Subscription at 4:48pm on January 6, 2020[SHARE]

Review: Arthur Miller's Dying 'Salesman' Is Reborn in London by Ben Brantley

An electrifying revival, starring a heartbreaking Wendell Pierce, reimagines Willy Loman as a black man in a white man's world.

SOURCE: The New York Times Subscription at 1:36pm on January 2, 2020[SHARE]

How a Jerry Herman Song Called a Future Critic to New York by Ben Brantley

A brassy celebration of optimism and urbanity, "Put on Your Sunday Clothes" from "Hello, Dolly!" can still stir the emotions.

SOURCE: The New York Times Subscription at 2:36pm on December 27, 2019[SHARE]

'Sing Street' Review: New Wave Music as Sweet Deliverance by Ben Brantley

This tuneful adaptation of John Carney's movie, about the saving grace of pop music in 1980s Dublin, hasn't quite found its ideal voice.

SOURCE: The New York Times Subscription at 11:18pm on December 16, 2019[SHARE]

'Halfway Bitches' Review: A Play as Unruly as Life Itself by Ben Brantley

Stephen Adly Guirgis's bumpy, vibrant and expansive comic drama about a women's homeless shelter features a cast of 18 (or 19, counting the goat).

SOURCE: The New York Times Subscription at 10:48pm on December 9, 2019[SHARE]

Review: 'Barber Shop Chronicles' Offers an Exhilarating Sanctuary by Ben Brantley

Inua Ellams's energizing, globe-traveling play considers the barber's chair as the black man's confessional.

SOURCE: The New York Times Subscription at 1:42pm on December 4, 2019[SHARE]

Best Theater of 2019 by Ben Brantley, Jesse Green, Laura Collins-hughes, Alexis Soloski and Elisabeth Vincentelli

Shows that defied categorization offered a stark choice: Escape an angry world, or face up to its travails. Beyond Broadway, writers explored race, inequality and addiction.

SOURCE: The New York Times Subscription at 5:18am on December 3, 2019[SHARE]

'A Bright Room Called Day' Review: The Playwright Enters the Play by Ben Brantley

In retooling his first produced work, Tony Kushner himself appears as a character in this lumbering portrait of endangered artists in Nazi Berlin.

SOURCE: The New York Times Subscription at 2:24am on November 26, 2019[SHARE]

Review: A Heartbreaker Returns in 'The Young Man From Atlanta' by Ben Brantley

The Signature Theater's compassionate revival of Horton Foote's 1995 Pulitzer Prize-winning play takes a slow route to devastation.

SOURCE: The New York Times Subscription at 12:03am on November 25, 2019[SHARE]

'A Christmas Carol' Review: God Rest Ye Merry, Plutocrats by Ben Brantley

This lively reimagining of Dickens's yuletide perennial, written by Jack Thorne, returns the story's social conscience to center stage.

SOURCE: The New York Times Subscription at 10:06pm on November 20, 2019[SHARE]

'The Inheritance' Review: So Many Men, So Much Time by Ben Brantley

Breadth doesn't always equal depth in Matthew Lopez's supersize, vividly painted portrait of gay life in the 21st century, featuring E.M. Forster as a spirit guide.

SOURCE: The New York Times Subscription at 10:12pm on November 17, 2019[SHARE]

Review: Reflections That Sear in a Reborn 'Fires in the Mirror' by Ben Brantley

The Signature Theater revival of Anna Deavere Smith's drama about the Crown Heights race riots confirms this play's status as an enduring work of art.

SOURCE: The New York Times Subscription at 11:06pm on November 11, 2019[SHARE]

Review: All the World's a Grave in the Druid 'Richard III' by Ben Brantley

Garry Hynes's visually hypnotic interpretation of the tale of the crookback who would be king sees medieval England as a cold slaughterhouse.

SOURCE: The New York Times Subscription at 11:06pm on November 10, 2019[SHARE]

When Home Is a Big Broadway Stage by Ben Brantley

Kristin Chenoweth and Ian McKellen demonstrate the increasingly popular art of turning theater palaces into cozy parlors for confabs with fans.

SOURCE: The New York Times Subscription at 2:18pm on November 10, 2019[SHARE]

Review: Peter Dinklage Tackles 'Cyrano' Without the Nose by Ben Brantley

The Emmy-winning "Game of Thrones" star shows off his abundant charisma in a lachrymose musical adaptation of Rostand's classic.

SOURCE: The New York Times Subscription at 10:24pm on November 7, 2019[SHARE]

'The Michaels' Review: Dance as Life in Upstate New York by Ben Brantley

In this delicately wrought portrait of a dying choreographer and her family, Richard Nelson's play considers the redemptive powers of art in fractious times.

SOURCE: The New York Times Subscription at 3:48pm on October 28, 2019[SHARE]

Review: In Zawe Ashton's 'for all the women,' the Price of Uprooting a Life by Ben Brantley

This convoluted play chronicles the breakdown of a conflicted, displaced East African woman in the cosmopolitan West.

SOURCE: The New York Times Subscription at 10:24pm on October 27, 2019[SHARE]

'Is This a Room' Review: Why'd She Blow the Whistle? by Ben Brantley

Tina Satter's remarkable docudrama recreates the bizarrely banal interrogation that led to the arrest of the intelligence contractor Reality Winner.

SOURCE: The New York Times Subscription at 8:03am on October 24, 2019[SHARE]

'For Colored Girls' Review: Ntozake Shange's Women Endure by Ben Brantley

The director Leah C. Gardiner delivers a warm and inspiriting revival of the landmark poetic drama, with a gloriously interdependent cast.

SOURCE: The New York Times Subscription at 11:24pm on October 22, 2019[SHARE]

Review: 'Forbidden Broadway' Sticks It to the Great Woke Way by Ben Brantley and Jesse Green

Gerard Alessandrini's franchise was looking as long in the tooth as the shows it aimed to skewer. A new edition brings it back to hilarious life.

SOURCE: The New York Times Subscription at 3:48pm on October 21, 2019[SHARE]

Review: 'American Utopia' Is David Byrne's Neighborhood by Ben Brantley

This jubilant production, choreographed by Annie-B Parson, transforms an icon of alienation into a cosmically cozy senior statesman.

SOURCE: The New York Times Subscription at 11:48pm on October 20, 2019[SHARE]

'Little Shop of Horrors' Review: Jonathan Groff Feeds the Beast by Ben Brantley

Michael Mayer's revitalizing revival of this genially gruesome classic becomes a sly morality tale for the age of universal celebrity.

SOURCE: The New York Times Subscription at 10:18pm on October 17, 2019[SHARE]

Review: Marisa Tomei Braves a Typhoon in 'The Rose Tattoo' by Ben Brantley

Trip Cullman's unmoored production of this atypical comedy from Tennessee Williams presents sexual attraction as a raging force of nature.

SOURCE: The New York Times Subscription at 11:54pm on October 15, 2019[SHARE]
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