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1,340 stories by "Alexis Soloski"

Daniel Isaac, 'Billions' Actor, Cedes the Spotlight While Quietly Commanding It by Alexis Soloski

Daniel K. Isaac, a theater actor with a steady gig on the series "Billions," is appearing at the Public in Lloyd Suh's play "The Chinese Lady."

SOURCE: The New York Times Subscription at 2:33pm on February 24, 2022[SHARE]

'Writing a Trauma Play Makes Me Want to Dry Heave' by Alexis Soloski

The playwright Sanaz Toossi on her two comedies about Iranian women, both debuting this season: "English" and "Wish You Were Here."

SOURCE: The New York Times Subscription at 2:36pm on February 17, 2022[SHARE]

Review: A 'Merchant of Venice' That Doubles Down on Pain by Alexis Soloski

John Douglas Thompson stars in Arin Arbus's caustic and assertive new production of the Shakespeare play.

SOURCE: The New York Times Subscription at 10:06pm on February 15, 2022[SHARE]

'Sleep No More' Awakens After a Long Hibernation by Alexis Soloski

The pandemic has reshaped aspects of the show, which reopens Feb. 14, but its once and future influence on the theatrical life of the city remains undeniable.

SOURCE: The New York Times Subscription at 5:18am on February 9, 2022[SHARE]

Review: 'Addressless' Is on the Streets and in Your Home by Alexis Soloski

This hybrid of theater and game asks us to consider homelessness empathetically but can't overcome the friction between education and entertainment.

SOURCE: The New York Times Subscription at 7:33am on January 21, 2022[SHARE]

Review: In 'Whisper House,' the Living Are the Pawns of the Dead by Alexis Soloski

A lighthouse keeper, the nephew living with her and a Japanese employee are on alert for U-boats and graver threats in this chamber musical set in 1942.

SOURCE: The New York Times Subscription at 9:48pm on January 20, 2022[SHARE]

Bridget Everett Shows Off Her Softer Side in 'Somebody Somewhere' by Alexis Soloski

"Somebody Somewhere," a bittersweet comedy on HBO, will likely surprise viewers who know Everett as a self-proclaimed "cabaret wildebeest."

SOURCE: The New York Times Subscription at 5:33am on January 14, 2022[SHARE]

Clare Barron on 'Shhhh' and How Playwriting Is Her 'Kink of Exhibitionism' by Alexis Soloski

The playwright says her semi-autobiographical works, including her new play for Atlantic Theater Company, help to provide a measure of clarity about painful experiences.

SOURCE: The New York Times Subscription at 10:06am on January 13, 2022[SHARE]

The Virus Is Surging. Avant-Garde Arts Festivals Are Closing. by Alexis Soloski

Under the Radar, Prototype and the Exponential Festival, annual January beacons of experimental work, have canceled their in-person offerings.

SOURCE: The New York Times Subscription at 6:24pm on January 3, 2022[SHARE]

Catherine Was Great. But Was She a Girl Boss? by Alexis Soloski

In seeking to turn historical women into yassified contemporary heroines, pop culture creators are narrowing what female success can look like.

SOURCE: The New York Times Subscription at 12:42pm on December 26, 2021[SHARE]

On Broadway, Newly Vital Understudies Step Into the Spotlight by Alexis Soloski

As Omicron spreads, shows are relying on replacement actors more than ever. And productions without enough of them have had to cancel performances.

SOURCE: The New York Times Subscription at 11:18am on December 24, 2021[SHARE]

Revisiting Childhood Wonder With Winnie the Pooh and Emmet Otter by Alexis Soloski

Our critic takes in two puppet-driven musicals in Manhattan. But with the Omicron variant on the rise, maybe kid-friendly theater is best consumed at home right now.

SOURCE: The New York Times Subscription at 3:18pm on December 21, 2021[SHARE]

'Harry Potter and the Cursed Child' Review: Still Magical on Broadway by Alexis Soloski

"Harry Potter and the Cursed Child" returned to Broadway, now in one part instead of two. It may feel smaller, but is no less dazzling.

SOURCE: The New York Times Subscription at 9:36pm on December 7, 2021[SHARE]

'Selling Kabul' Review: Trapped in a War, and an Apartment by Alexis Soloski

In Sylvia Khoury's suspenseful new play, the characters sometimes feel too much like wheels in a machine, but it's a tense thrill to watch it work.

SOURCE: The New York Times Subscription at 9:18pm on December 6, 2021[SHARE]

Best Theater of 2021 by Jesse Green, Maya Phillips, Laura Collins-hughes, Scott Heller, Alexis Soloski and Elisabeth Vincentelli

Digital innovation continued this year, but experiencing plays in isolation grew tiring. Then came an in-person season as exciting as a child's first fireworks.

SOURCE: The New York Times Subscription at 10:48am on December 3, 2021[SHARE]

Kiki and Herb Will Be Back Where They Belong for Christmas by Alexis Soloski

Justin Vivian Bond and Kenny Mellman have resurrected their Christmas act for "a big, old chosen family reunion."

SOURCE: The New York Times Subscription at 11:33am on November 28, 2021[SHARE]

Stream These 7 Productions That Celebrate Stephen Sondheim's Work by Alexis Soloski

Here's a guide to films, documentaries and other productions that provide insight into the composer-lyricist's sly wit and melodic acumen.

SOURCE: The New York Times Subscription at 1:06pm on November 27, 2021[SHARE]

Review: 'Morning's at Seven' Awakens Again, Only to Hit Snooze by Alexis Soloski

Paul Osborn's 1930s play is revived, with its thin psychology, predictable structure and somewhat bitter slice of small town life intact.

SOURCE: The New York Times Subscription at 8:03pm on November 15, 2021[SHARE]

'I Don't Know What a Carrie Is': Candace Bushnell Works It Out Onstage by Alexis Soloski

The writer maps her life in a one-woman show, "Is There Still Sex in the City?," beginning previews this weekend at the Daryl Roth Theater.

SOURCE: The New York Times Subscription at 11:06am on November 12, 2021[SHARE]

Review: 'Tammany Hall' Votes the Party Line by Alexis Soloski

An immersive show at the SoHo Playhouse takes theatergoers back to a speakeasy in 1929, when New York was also in a mayoral race.

SOURCE: The New York Times Subscription at 9:24pm on November 2, 2021[SHARE]

Behind the 'Boo!': How Haunted House Actors Scare Guests by Alexis Soloski and Erik Tanner

What does it take to scare the candy corn out of someone? Performers at two of New York's hallowed haunted attractions explain the secrets behind the shocks.

SOURCE: The New York Times Subscription at 5:24am on October 26, 2021[SHARE]

'Letters of Suresh' Review: Returning to the Fold by Alexis Soloski

Rajiv Joseph's new drama revisits the protagonist, and the metaphoric possibilities of origami, of his earlier play "Animals Out of Paper."

SOURCE: The New York Times Subscription at 8:06pm on October 12, 2021[SHARE]

Forty days a slave: Suzan-Lori Parks on her incendiary new play White Noise by Alexis Soloski

In a drama that taps straight into these angry, anguished times, a Black artist responds to a police beating by becoming his white friend's 'enslaved person'. Pulitzer-winner Parks explains …

SOURCE: The Guardian at 10:42am on October 12, 2021[SHARE]

Onstage, 'Designing Women' Sheds the Shoulder Pads, Not Its Politics by Alexis Soloski

The hit sitcom, which ended in 1993, is back as play, premiering in Arkansas. But how do its laughs land in our more pointed political landscape?

SOURCE: The New York Times Subscription at 10:06am on September 29, 2021[SHARE]

Max Harwood Steps Up in 'Everybody's Talking About Jamie' by Alexis Soloski

Max Harwood, making his professional debut with the movie musical "Everybody's Talking About Jamie," has "this kind of magic about him."

SOURCE: The New York Times Subscription at 9:54am on September 16, 2021[SHARE]
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