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1,340 stories by "Alexis Soloski"

Review: In 'Peerless,' Elite College Admissions Are Something Wicked by Alexis Soloski

The playwright Jiehae Park's sly and polished adaptation of "Macbeth" transports the characters from the Scottish heath to the halls of a Midwestern high school.

SOURCE: The New York Times Subscription at 8:19pm on October 11, 2022[SHARE]

1776 review " musical revival needs more independence from the original by Alexis Soloski

American Airlines Theatre, New York A diverse re-envisioning of the 1969 historical musical offers up some great opportunities for a game cast but struggles to justify its existence The firs…

SOURCE: The Guardian at 10:00pm on October 6, 2022[SHARE]

'Complicity' Review: A Muddled #MeToo Drama by Alexis Soloski

A new play by Diane Davis at the New Ohio Theater addresses the topic head-on, but clumsily, our critic writes.

SOURCE: The New York Times Subscription at 12:55pm on October 6, 2022[SHARE]

Cost of Living review " Pulitzer prize winner lands on Broadway with a splash by Alexis Soloski

Manhattan Theater Club at the Samuel J Friedman Theater, New York Martyna Majok's sensitive drama about four characters on the margins is empathetically acted and unusually compassionate The…

SOURCE: The Guardian at 8:30pm on October 3, 2022[SHARE]

Review: Revisiting 'Baldwin and Buckley at Cambridge' by Alexis Soloski

Elevator Repair Service, the experimental theater company, brings to life the 1965 debate between James Baldwin and William F. Buckley Jr.

SOURCE: The New York Times Subscription at 9:19pm on October 2, 2022[SHARE]

Wendell Pierce Steps Into 'Death of a Salesman' by Alexis Soloski

A Broadway revival of "Death of a Salesman" has a Black lead for the first time, giving Pierce a chance to step into a role he was "born to play."

SOURCE: The New York Times Subscription at 10:37am on September 28, 2022[SHARE]

Making a Meal of the Philadelphia Fringe Festival by Alexis Soloski

A handful of works deal with the many questions of nourishment and nurture. How we feed. How we are fed.

SOURCE: The New York Times Subscription at 9:37am on September 22, 2022[SHARE]

Review: 'Marie It's Time' Pieces Together a Woman in Fragments by Alexis Soloski

This three-actor play initiates a dialogue with Georg Büchner's "Woyzeck," examining men's violence against women.

SOURCE: The New York Times Subscription at 12:07pm on September 19, 2022[SHARE]

'Remember This' Review: Finding Strength Amid Moral Failure by Alexis Soloski

David Strathairn is remarkable in a solo show about Jan Karski, who was profoundly changed by what he witnessed during World War II.

SOURCE: The New York Times Subscription at 9:37pm on September 15, 2022[SHARE]

'I'm Enough': Gregg Mozgala on His Debut in 'Cost of Living by Alexis Soloski, Elisabeth Vincentelli, Laura Collins-hughes and Scott Heller

We spoke to three actors and a playwright " Gregg Mozgala, Bonnie Milligan, Solea Pfeiffer and Noah Diaz " who are taking big shots this season.

SOURCE: The New York Times Subscription at 12:34pm on September 8, 2022[SHARE]

Review: In 'Kate,' Tracing the Tears of a Clown by Alexis Soloski

The comedian Kate Berlant's latest experiment, directed by Bo Burnham at the Connelly Theater, positions her as an actress with a semi-traumatic origin story.

SOURCE: The New York Times Subscription at 8:07pm on September 7, 2022[SHARE]

Audra McDonald: 'I go all the way deep down into my truth and sing it' by Alexis Soloski

The Broadway legend, who has won more Tony awards than any other performer, on what 'the American songbook' means to her "I'm trying to get to the truth of why I'm singing this song," says A…

SOURCE: The Guardian at 6:37pm on September 6, 2022[SHARE]

In 'Once Upon a (korean) Time,' Bedtime Stories to Keep You Up at Night by Alexis Soloski

Daniel K. Isaac's stylistically daring play at La MaMa doesn't quite fulfill its promise, but it suggests the playwright has more stories to tell.

SOURCE: The New York Times Subscription at 7:18pm on August 31, 2022[SHARE]

Review: Finding Community in 'As You Like It' by Alexis Soloski

This shimmering Shakespeare adaptation at the Delacorte Theater retains the outline of the original, while making space for songs. You don't have to sing along, though you may want to.

SOURCE: The New York Times Subscription at 10:24pm on August 30, 2022[SHARE]

Patina Miller Chooses High Drama by Alexis Soloski

The Tony-winning Broadway actor has made a career playing powerful women. Her latest is a drug queenpin inspired by 50 Cent's mother in the newest "Power" series on Starz.

SOURCE: The New York Times Subscription at 11:07am on August 23, 2022[SHARE]

'The Devil Wears Prada' Review: An Adaptation That Needs Tailoring by Alexis Soloski

The new Elton John-Shaina Taub musical, based on the popular film about a fashion-world ingénue and her demanding boss, isn't yet ready-to-wear.

SOURCE: The New York Times Subscription at 2:54pm on August 8, 2022[SHARE]

Review: In 'Bottom of the Ocean,' a Deep Dive Into the Soul by Alexis Soloski

Themes of change, death and rebirth abound in this peculiar production, a triumph of style and low-budget ingenuity.

SOURCE: The New York Times Subscription at 12:33pm on July 29, 2022[SHARE]

Review: In 'Mr. Burns,' Apocalypse Now, With 'The Simpsons' and Songs by Alexis Soloski

Anne Washburn's 2012 play about a post-pandemic society reckoning with loss has not aged at all, our critic writes.

SOURCE: The New York Times Subscription at 1:07pm on July 27, 2022[SHARE]

'Into the Woods' Review: Do You Believe in Magic? by Alexis Soloski

The Encores! revival of this fairy-tale musical, with songs by Stephen Sondheim, arrives on Broadway with its humor, wonder and humanity intact.

SOURCE: The New York Times Subscription at 8:42pm on July 10, 2022[SHARE]

'Dom Juan' Review: The Perks of Being a Professional Hypocrite by Alexis Soloski

Piety is just a pose in Ashley Tata's gender-swapped production of Molière's tragicomedy at Bard's SummerScape festival.

SOURCE: The New York Times Subscription at 5:42pm on July 3, 2022[SHARE]

'53% Of' Review: Zinging Pro-Trump Women, and Everyone Else by Alexis Soloski

A new comedy by Steph Del Rosso starts as a satire of conservatives, then takes aim at progressives. Too bad the jokes barely cut either side.

SOURCE: The New York Times Subscription at 2:18pm on July 1, 2022[SHARE]

Immersed in 'Stranger Things,' Then Strolling to Beckett by Alexis Soloski

Our writer checked out two very different experiences in New York. In Netflix's TV re-creation, you fight Demogorgons. In "Cascando," you walk off your existential angst.

SOURCE: The New York Times Subscription at 3:03pm on June 24, 2022[SHARE]

She Won a Tony. But Deirdre O'Connell 'Can't Think About That.' by Alexis Soloski

We spoke to the veteran actress as she returned to work, preparing for the opening of her new Off Broadway show "Corsicana."

SOURCE: The New York Times Subscription at 5:06am on June 17, 2022[SHARE]

Review: In 'Spindle Shuttle Needle,' History With Strings Attached by Alexis Soloski

With war as a backdrop, Gab Reisman's lively comedy is content to hang out with a motley group of women at the dawn of modern capitalism.

SOURCE: The New York Times Subscription at 11:03am on June 12, 2022[SHARE]

Review: In 'Snow in Midsummer,' It's Not Just the Forecast That's Amiss by Alexis Soloski

Adapted from a 13th-century drama, Frances Ya-Chu Cowhig's play is part ghost story, murder mystery and family melodrama.

SOURCE: The New York Times Subscription at 11:18am on June 9, 2022[SHARE]
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