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1,340 stories by "Alexis Soloski"

In This 'Peter Pan,' Something Always Goes Awry. That's the Plan. by Alexis Soloski

Broadway's slapstick comedy "Peter Pan Goes Wrong" is full of daring sequences. What does it take? Countless rehearsals (and bruises).

SOURCE: The New York Times Subscription at 5:06am on March 29, 2023[SHARE]

Sweeney Todd: The Demon Barber of Fleet Street review " dazzling Broadway revival by Alexis Soloski

Lunt-Fontanne Theatre, New York Josh Groban and Annaleigh Ashford play Stephen Sondheim's murderous Victorian couple in a bold and barnstorming take Despite having worn a beard for much of h…

SOURCE: The Guardian at 10:48am on March 27, 2023[SHARE]

Review: In 'Sancocho,' a Family Crisis Is Cooking by Alexis Soloski

Attention to culinary detail is the best part of this heavily seasoned family drama by Christin Eve Cato at the WP Theater.

SOURCE: The New York Times Subscription at 10:32am on March 24, 2023[SHARE]

'The Coast Starlight' Review: Strangers on a Train by Alexis Soloski

Keith Bunin's gentle, rueful play at Lincoln Center's Mitzi E. Newhouse Theater settles down among six passengers traveling from Los Angeles to Seattle.

SOURCE: The New York Times Subscription at 8:00pm on March 13, 2023[SHARE]

'The Outsiders' Review: Growing Pains Both Brutal and Poetic by Alexis Soloski

At La Jolla Playhouse, the musical adaptation of the novel and film has considerable appeal, but is weighed down by too many characters and themes.

SOURCE: The New York Times Subscription at 2:15pm on March 6, 2023[SHARE]

'Cornelia Street' Review: A Musical With Local Ambitions by Alexis Soloski

An affectionate elegy to a Greenwich Village restaurant, Neil Pepe's production at Atlantic Theater orders everything on the menu.

SOURCE: The New York Times Subscription at 9:00pm on February 14, 2023[SHARE]

Billy Crudup Makes the Sale in 'Hello Tomorrow!' by Alexis Soloski

The actor stars in this new series as a slickster hawking time-shares on the moon. Now in his 50s, Crudup is getting some of the best roles of his career.

SOURCE: The New York Times Subscription at 5:00am on February 10, 2023[SHARE]

Oscar Isaac, Rachel Brosnahan and the Draw of a Neglected Hansberry Play by Alexis Soloski

The first major New York revival of "The Sign in Sidney Brustein's Window," Lorraine Hansberry's 1964 Broadway play, comes to BAM this month. What took so long?

SOURCE: The New York Times Subscription at 5:00am on February 1, 2023[SHARE]

'Asi Wind's Inner Circle' Review: Pick a Card, Not Just Any Card by Alexis Soloski

A master at the top of his game, the magician Asi Wind performs fluidly and with obvious pleasure.

SOURCE: The New York Times Subscription at 2:01pm on January 30, 2023[SHARE]

At Under the Radar, Stories Unfold via Sexts, Tweets and Puppeteers by Jesse Green, Laura Collins-hughes and Alexis Soloski

The Public Theater's experimental theater festival is back in person for the first time since 2020. Here, our critics review a handful of the works on display.

SOURCE: The New York Times Subscription at 3:02pm on January 13, 2023[SHARE]

Review: 'Are We Not Drawn Onward to New Era' Stages a Disaster in Reverse by Alexis Soloski

The Under the Radar festival kicks off with an allegory about climate destruction by the Belgian provocateurs Ontroerend Goed.

SOURCE: The New York Times Subscription at 12:05pm on January 6, 2023[SHARE]

At Under the Radar, Theater That Jumps Right Off the Page by Alexis Soloski

Literary influences suffuse this year's festival of avant-garde performance. Artists from six shows share the stories that inspired them.

SOURCE: The New York Times Subscription at 2:47pm on January 5, 2023[SHARE]

Review: In 'Ye Bear & Ye Cubb,' Colonial America Takes the Stage by Alexis Soloski

A play first performed in a tavern in 1665 survives with its title, and the court case it precipitated, intact " but nothing else.

SOURCE: The New York Times Subscription at 3:06pm on December 14, 2022[SHARE]

'There's No Way to Do a Good Job if You're Judging the Character' by Alexis Soloski

"Downstate" asks its performers to portray men who have done the unimaginable. Three of the play's actors discuss what it takes to meet that challenge.

SOURCE: The New York Times Subscription at 5:12pm on December 13, 2022[SHARE]

Merrily We Roll Along review " Sondheim flop finds new lease of life by Alexis Soloski

New York Theatre Workshop, New York The infamous 1981 disaster has returned off-Broadway with help from Jonathan Groff and Daniel Radcliffe It is a paradox of human existence that while we e…

SOURCE: The Guardian at 10:30pm on December 12, 2022[SHARE]

Some Like It Hot review " Broadway adaptation is lukewarm by Alexis Soloski

Sam S Shubert Theatre, New York Attempts to modernise the gender politics of the classic comedy struggle but there are some moments that deliver enough razzle-dazzle There are several chase …

SOURCE: The Guardian at 3:42am on December 12, 2022[SHARE]

Review: 'The Far Country' Brings a Neglected History Closer by Alexis Soloski

Early 20th-century San Francisco and Guangdong, China, overlap in Lloyd Suh's artful examination of the emotional price of immigration.

SOURCE: The New York Times Subscription at 9:32pm on December 5, 2022[SHARE]

Review: At the Big Apple Circus, It's a Family Affair by Alexis Soloski and Seth Caplan

Though smaller and less glitzy than extravaganzas of years past, "Dream Big" is a brisk, welcoming, back-to-basics experience brimming with pizazz.

SOURCE: The New York Times Subscription at 5:32am on November 25, 2022[SHARE]

Review: In This Solo 'Christmas Carol,' the Night Is Never Silent by Alexis Soloski

Jefferson Mays stars in a Broadway adaptation of the Dickens classic, a one-man production that was originally live-captured for streaming.

SOURCE: The New York Times Subscription at 9:06pm on November 21, 2022[SHARE]

Review: In 'Evanston Salt Costs Climbing,' Co-Workers Weather the Storm by Alexis Soloski

Will Arbery's play explores the existential dread filling the minds of an Illinois city's public employees with the subtlety of a polar vortex.

SOURCE: The New York Times Subscription at 8:24pm on November 16, 2022[SHARE]

Sarah Ruhl and Rebecca Taichman on Conjuring 'Becky Nurse of Salem' by Alexis Soloski

Their new Off Broadway play, a dark comedy about power, inheritance and, of course, witchcraft, is now in previews at Lincoln Center Theater.

SOURCE: The New York Times Subscription at 10:24am on November 9, 2022[SHARE]

'My Broken Language' Review: Piecing Together a Life of Many Dialects by Alexis Soloski

In Quiara Alegría Hudes's new play at the Signature Theater, five performers try to summon generations of willful women.

SOURCE: The New York Times Subscription at 3:36pm on November 7, 2022[SHARE]

'Walking With Ghosts' Review: Gabriel Byrne Roams His Past by Alexis Soloski

The Irish actor's one-man show on Broadway delves into painful and playful memories alike. He even imitates the oddballs of his Dublin boyhood.

SOURCE: The New York Times Subscription at 8:55pm on October 27, 2022[SHARE]

'Montag' Review: A Dark Hymn to Female Friendship by Alexis Soloski

Not quite a comedy and not quite a thriller, Kate Tarker's play is an antic study of two women preparing for a game (or possibly an attack).

SOURCE: The New York Times Subscription at 9:19pm on October 25, 2022[SHARE]

'Tell the Story Every Way You Can': Bess Wohl on 'Camp Siegfried' by Alexis Soloski

How a real-life pro-Nazi summer camp on Long Island inspired a "deeply American play" about seduction.

SOURCE: The New York Times Subscription at 10:33am on October 25, 2022[SHARE]
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