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1,340 stories by "Alexis Soloski"

All the World's a Screen? They're Used to It by Alexis Soloski

Is theater even theater when you watch it on your laptop? Ask the artists who've blurred the boundaries between live and filmed performance for years.

SOURCE: The New York Times Subscription at 10:03am on February 3, 2021[SHARE]

Martin Luther King Jr. Day: 9 Ways to Honor His Legacy by Alexis Soloski

Marches and parades are on pause this year. But streamed events and exhibitions are still commemorating King's achievements.

SOURCE: The New York Times Subscription at 9:03am on January 14, 2021[SHARE]

Songs of Separation, and Lessons in Persian Cooking by Alexis Soloski

The Under the Radar Festival entries "Capsule" and "Disclaimer" explore intimacy, isolation and identity. Bring your own fenugreek.

SOURCE: The New York Times Subscription at 3:12pm on January 11, 2021[SHARE]

How the Spectacle of British Pantomime Looks From Across the Pond by Alexis Soloski and Elisabeth Vincentelli

Thanks to streaming, two American critics got to binge a bunch of the holiday extravaganzas. So how does this silly British tradition translate?

SOURCE: The New York Times Subscription at 1:32pm on December 24, 2020[SHARE]

An Online Show that Runs and Runs (and Runs) by Alexis Soloski

"Stars in the House," a variety show and fund-raiser, started just after the Broadway shutdown. Some 250 episodes later, its creators won't quit.

SOURCE: The New York Times Subscription at 10:24am on December 23, 2020[SHARE]

Holiday Theater to Stream by Alexis Soloski

Stream productions of reimagined fairy tales and Christmas standards like 'A Christmas Carol' being staged at theaters around the world.

SOURCE: The New York Times Subscription at 12:24am on December 13, 2020[SHARE]

With These Experiences for Kids, All the Living Room's a Stage by Alexis Soloski

Theatermakers are devising new, immersive ways to engage children, with a few sending boxes of props and set pieces to your home.

SOURCE: The New York Times Subscription at 2:24pm on December 9, 2020[SHARE]

Best Theater of 2020 by Jesse Green, Laura Collins-hughes, Scott Heller, Maya Phillips, Alexis Soloski and Elisabeth Vincentelli

It wasn't the year for celebration. But watching innovation flourish inspired our chief critic, while other writers found the joys of the stage in other media.

SOURCE: The New York Times Subscription at 5:06am on December 1, 2020[SHARE]

Depending on the Kindness of Sound Engineers by Alexis Soloski

Williamstown Theater Festival's summer season is now a winter experiment, all on audio. That includes "A Streetcar Named Desire," recorded in actor's closets.

SOURCE: The New York Times Subscription at 10:18am on November 25, 2020[SHARE]

Review: Open Chat Windows and Closed Cases in 'Citizen Detective' by Alexis Soloski

With its latest show, the Geffen Playhouse in Los Angeles has cornered the American market on long-running, agreeable online theater.

SOURCE: The New York Times Subscription at 2:54pm on November 20, 2020[SHARE]

'Between the World and Me': From Page to Stage to Screen by Alexis Soloski

An all-star cast came together, remotely and in socially distanced shoots, to turn Ta-Nehisi Coates's memoir into a vivid amalgam of art, music and performance for HBO.

SOURCE: The New York Times Subscription at 10:54am on November 18, 2020[SHARE]

When the Critic Is Also the Star. And the Audience. by Laura Collins-hughes and Alexis Soloski

Connection or isolation? Intensity or escape? This spate of shows that put the watcher to work are rewarding, but often in contrasting ways.

SOURCE: The New York Times Subscription at 2:06pm on November 15, 2020[SHARE]

'Who's Your Baghdaddy' Review: The Iraq War Set to Backpack Rap by Alexis Soloski

A musical satire reframes the origins of the invasion of Iraq as a story of bureaucratic bungles and spy games gone catastrophically wrong.

SOURCE: The New York Times Subscription at 3:48pm on November 10, 2020[SHARE]

Escape Rooms in an At-Home Era? Here's the Key by Alexis Soloski

The immersive games are reinventing for online, at-home play " which is no surprise, an industry expert said: "These folks are deeply creative, and they're scrappy."

SOURCE: The New York Times Subscription at 11:12am on November 5, 2020[SHARE]

Review: 'Crave' Is a Timely Ticket for a World on Fire by Alexis Soloski

Sarah Kane's 1999 play, performed live at the Chichester Festival Theater and available to stream this week, meditates on power and powerlessness, and makes specific devastation feel univers…

SOURCE: The New York Times Subscription at 1:36pm on November 4, 2020[SHARE]

'Hamilton' Was Just the Beginning. Hollywood Loves Broadway, Again. by Alexis Soloski

Theaters may be closed, but streamers and studios are flocking to the stage to meet the insatiable demand for content.

SOURCE: The New York Times Subscription at 6:42am on November 4, 2020[SHARE]

Review: 'What a Carve Up!' Is Wonderful. But Is It Theater? by Alexis Soloski

Three British companies reimagine a murder mystery for the virtual stage. Except there's no stage, and no part of it is live.

SOURCE: The New York Times Subscription at 4:18pm on November 2, 2020[SHARE]

David Henry Hwang's 'M. Butterfly' Followup: 'M. Turkey' by Alexis Soloski

The goal: a comedy about mistaken racial identity inspired by protests over "Miss Saigon." The result: a backstage farce that never got to opening night.

SOURCE: The New York Times Subscription at 11:03am on November 1, 2020[SHARE]

Halloween for Kids: Different This Year, but Still Delightful by Alexis Soloski

In New York, trick-or-treating has been curtailed, and parades called off. But there are plenty of ways to please and spook the little ones.

SOURCE: The New York Times Subscription at 7:42am on October 29, 2020[SHARE]

'Temping' Is a Workplace Drama for One. You're Hired. by Alexis Soloski

An immersive work at the Wild Project asks the sole audience member to consider the value of life while role playing as an office worker involved in calculating risk of death.

SOURCE: The New York Times Subscription at 2:36pm on October 20, 2020[SHARE]

'Utopia' Review: Charles L. Mee's New Play Is a Frothy Escape by Alexis Soloski

The playwright whips up a virtual ensemble of eccentrics, but his vision feels out of step with the moment.

SOURCE: The New York Times Subscription at 6:24pm on October 19, 2020[SHARE]

The Tonys are finally coming! What do this year's nominations tell us? by Alexis Soloski

A strange year for Broadway, with fewer shows than usual eligible for major awards, has brought up an equally strange, if intriguing, set of nominees "What?" James Monroe Iglehart said. "You…

SOURCE: The Guardian at 4:03pm on October 19, 2020[SHARE]

Seeking Pandemic Theater? Your Call Will Be Answered Shortly by Alexis Soloski

Two immersive audio pieces, in the form of an automated phone system and a play told as recordings from a grim future, talk about trying and failing to connect with others.

SOURCE: The New York Times Subscription at 2:24pm on October 13, 2020[SHARE]

A Writer-Director-Star Breaks Through. It Only Took a Lifetime. by Alexis Soloski

Radha Blank spent years trying to impress the theater world. Now, her Sundance hit, "The Forty-Year-Old Version," is proof that dreams don't expire.

SOURCE: The New York Times Subscription at 5:54am on October 8, 2020[SHARE]

10 Monologues That Make Solo Music by Ben Brantley, Laura Collins-hughes, Jesse Green and Alexis Soloski

In a few minutes or a full show, these performers capture heartbreak, fury and laughs. For the words of Samuel Beckett, a disembodied mouth did the trick.

SOURCE: The New York Times Subscription at 10:24am on October 7, 2020[SHARE]
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