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57 stories by "Alexander C. Kafka"

Review: Billy Elliot at Signature Theatre by Alexander C. Kafka

A country divided, tensions running high. That was Tuesday evening in America on midterm election night. It was also mid-1980s England in Signature Theatre's production of Billy Elliot. Work…

SOURCE: DC Theatre Scene at 4:42pm on November 7, 2018[SHARE]

Anastasia: highly entertaining historical hooey by Alexander C. Kafka

Pour Disney princess movies, Nicholas and Alexandra, Dr. Zhivago, Annie, My Fair Lady, and An American in Paris in a mixer, hit blend, and you'll end up with Anastasia, a historically and na…

SOURCE: DC Theatre Scene at 1:12pm on November 2, 2018[SHARE]

Bracing new works from San Francisco Ballet's Unbound Festival by Alexander C. Kafka

A meditation on the arc of a lifetime. A message piece about soul-eroding communication technology. A frenetic exploration of Jung's notion of male and female psychic elements. Such was the …

SOURCE: DC Theatre Scene at 3:24pm on October 25, 2018[SHARE]

Review: Viva V.E.R.D.I " an otherworldly convergence of Verdi and Shakespeare by Alexander C. Kafka

Giuseppe Verdi revered Shakespeare and wrote a Macbeth, an Otello, and a Falstaff. He longed to write a King Lear as well and even worked with two librettists toward that goal. But although …

SOURCE: DC Theatre Scene at 2:32pm on September 11, 2018[SHARE]

Review: South Pacific, enchanting and relevant by Alexander C. Kafka

Was ever a message musical wrapped in such a luxurious bounty of romance? Those love songs! Seventy years later, Rodgers and Hammerstein's South Pacific still floors us with its lyricism.…

SOURCE: DC Theatre Scene at 1:24pm on September 10, 2018[SHARE]

Review: Shakespeare Theatre's Romeo & Juliet boldly conceived, superbly performed by Alexander C. Kafka

"These violent delights have violent ends / And in their triumph die, like fire and powder / Which, as they kiss, consume." Friar Lawrence's words ring pulse-quickeningly true in Shakespeare…

SOURCE: DC Theatre Scene at 11:48am on August 24, 2018[SHARE]

Review: The Hypocrites' hijinks with Gilbert & Sullivan's Pinafore. Bring the kids. by Alexander C. Kafka

I am generally not a forced gaiety and audience-participation kind of guy. And yet Saturday night, there I was some 20 minutes before show time for H.M.S. Pinafore, in Olney Theatre's Mulitz…

SOURCE: DC Theatre Scene at 12:04pm on July 17, 2018[SHARE]

Dance Review: Step Afrika!'s Soul-Stirring 'Migration' by Alexander C. Kafka

The painter Jacob Lawrence's 60-panel Migration Series chronicles the exodus of more than six million African-Americans from the South to the North starting around 1916. The WPA-funded proje…

SOURCE: DC Theatre Scene at 8:12am on June 12, 2018[SHARE]

Review: Ballet Nacional de Cuba performing Don Quixote by Alexander C. Kafka

It was 40 years ago that the Ballet Nacional de Cuba made its U.S. debut at the Kennedy Center and 30 years ago that it premiered its production of Don Quixote. It was 70 years ago that Alic…

SOURCE: DC Theatre Scene at 11:54am on May 30, 2018[SHARE]

Review: Saint Joan, a funky, spunky, stripped-down Shaw by Alexander C. Kafka

Brevity is not the soul of Saint Joan's wit. Even at three and a half hours' running time, however, the George Bernard Shaw classic never flags in Bedlam's funky, spunky, stripped down versi…

SOURCE: DC Theatre Scene at 3:04pm on May 16, 2018[SHARE]

The Kennedy Center's 2018/2019 Dance Season by Alexander C. Kafka

"I always think of our audience," says Meg Booth, director of dance programming for the Kennedy Center. "There are always some attending their first performances, and subscribers of 20 and 3…

SOURCE: DC Theatre Scene at 11:48am on April 18, 2018[SHARE]

New York City Ballet: Justin Peck's dazzling "Pulcinella" makes DC debut (review) by Alexander C. Kafka

Justin Peck's "Pulcinella Variations," an ecstatic circus of the soul, made its sensational D.C. debut Tuesday in an altogether winning evening of mixed repertory by the New York City Ballet…

SOURCE: DC Theatre Scene at 6:32pm on March 28, 2018[SHARE]

Review: The Washington Ballet presents three impressive world premieres by Alexander C. Kafka

"With any new endeavor," said Washington Ballet's Artistic Director Julie Kent before Friday night's performance, "there is an element of risk " and excitement." The risk was in presenting T…

SOURCE: DC Theatre Scene at 5:05pm on March 18, 2018[SHARE]

Review: Hold These Truths, a bright spirit from a dark era in American history by Alexander C. Kafka

"'Deru kugi wa utareru.' Dad first said it to me. 'The nail that sticks out is the one that gets hit.' It's an old Japanese proverb. To stay out of danger or harm's way, one must conform. On…

SOURCE: DC Theatre Scene at 12:36pm on March 2, 2018[SHARE]

American Ballet Theatre's delectable Whipped Cream (review) by Alexander C. Kafka

The Nunes memo, election tampering by Russia, the refugee crisis, mass shootings, harassment and molestation, Olympic doping, North Korean nukes, climate change, fascism, nationalism, racism…

SOURCE: DC Theatre Scene at 8:27pm on February 3, 2018[SHARE]

All the Things You Are: Jerome Kern from In Series (review) by Alexander C. Kafka

“I hear you’re a son of a bitch," said Jerome Kern, introducing himself to a producer. "So am I.”  But he was one productive son of a bitch, composing more than 700 s…

SOURCE: DC Theatre Scene at 11:43am on January 22, 2018[SHARE]

Review: An American in Paris. S'Wonderful! by Alexander C. Kafka

"Life is not like your American movies," says Lise, a ballerina who has captured the hearts of three men. "Why not?" asks one of those men, Jerry, an American soldier turned painter in Paris…

SOURCE: DC Theatre Scene at 12:48pm on December 15, 2017[SHARE]

Suzanne Farrell Ballet takes its final bows this weekend with Forever Balanchine (review) by Alexander C. Kafka

Parting really is sweet sorrow as the Suzanne Farrell Ballet, after 17 years, offers its final performances this week. Its budget and company size have been unsteady, but you'd never know it…

SOURCE: DC Theatre Scene at 1:33pm on December 8, 2017[SHARE]

Washington's own Nutcracker from Washington Ballet (review) by Alexander C. Kafka

There is finally something happening on Pennsylvania Avenue to bring Washington some bipartisan joy. No, not there. A couple blocks away, at the Warner Theatre, where Clara and her prince va…

SOURCE: DC Theatre Scene at 2:12pm on December 4, 2017[SHARE]

Synetic imagines The Adventures of Peter Pan (review) by Alexander C. Kafka

Peter Pan and Captain Hook should see a therapist together. How can they not realize by now that their commonalities are greater than their differences? Both are childish, boastful, and untr…

SOURCE: DC Theatre Scene at 1:04pm on October 23, 2017[SHARE]

Mariinsky Ballet's La Bayadère: stunning and thrilling (review) by Alexander C. Kafka

Love is tragic and sumptuous in the Mariinsky Ballet's La Bayadère. At the Kennedy Center this week, under director Valery Gergiev and acting ballet director Yuri Fateev, the production " i…

SOURCE: DC Theatre Scene at 11:12am on October 19, 2017[SHARE]

The Washington Ballet's Russian Masters review by Alexander C. Kafka

America may be in a new cold war with Putin, but the Washington Ballet this week takes Russia into a white-hot embrace. In her first season last year as artistic director, former American Ba…

SOURCE: DC Theatre Scene at 12:24pm on October 6, 2017[SHARE]

The Magic Flute review. In Series in a new venue by Alexander C. Kafka

Your mission: Venture to the land of Adams Morgan until you see a temple at 16th and Fuller. From Fuller turn right at Mozart Place, past the construction, into the auto-gated parking lot. T…

SOURCE: DC Theatre Scene at 11:54am on September 25, 2017[SHARE]

Euan Morton in Hedwig and the Angry Inch at The Kennedy Center (review) by Alexander C. Kafka

The Kennedy Center Thursday night featured Teutonic offerings across a wide spectrum. In the Concert Hall, the National Symphony Orchestra was performing Beethoven's Ninth. Next door at the …

SOURCE: DC Theatre Scene at 1:48pm on June 16, 2017[SHARE]

New York City Ballet: Balanchine, Peck & Ratmansky (review) by Alexander C. Kafka

In a formidable and diverse program Tuesday night, the New York City Ballet juxtaposed affable athleticism with social and romantic tensions. The former was represented by two Balanchine cla…

SOURCE: DC Theatre Scene at 2:24pm on June 7, 2017[SHARE]
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