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108 stories by "A.j. Goldmann"

Neil LaBute Seeks 'The Answer to Everything' in Germany by A.J. Goldmann

The American playwright's first new play since he parted ways with his theater in 2018 during the #MeToo movement finds a stage far from New York.

SOURCE: The New York Times Subscription at 1:32pm on October 12, 2021[SHARE]

From a Contemporary Drama Festival, Tales of Art and Survival by A.J. Goldmann

At Berlin's FIND festival of new international drama, some plays tackle big themes while others reject being useful.

SOURCE: The New York Times Subscription at 1:12pm on October 7, 2021[SHARE]

Oedipus Takes to the Stages in Berlin by A.J. Goldmann

Four interpretations of the Greek myth have been produced in the German capital, all with resonances for our moment.

SOURCE: The New York Times Subscription at 4:42am on September 23, 2021[SHARE]

At Two Summer Festivals, Offerings That Are Gloomy and Grim by A.J. Goldmann

The Salzburg Festival and the Ruhrtriennale host a series of theatrical pieces, both old and new, that seem to reflect our troubled time.

SOURCE: The New York Times Subscription at 6:18am on August 26, 2021[SHARE]

'The Threepenny Opera,' Without the 'Cabaret' Clichés by A.J. Goldmann

Don't expect bowler hats and dirty negligees in a new production at the Berliner Ensemble, the theater Bertolt Brecht founded.

SOURCE: The New York Times Subscription at 5:12am on August 5, 2021[SHARE]

After a Winter of Discontent, a Glorious Summer in Salzburg by A.J. Goldmann

The theater offering at the Alpine festival features reworked classics by Shakespeare and one of the event's founders.

SOURCE: The New York Times Subscription at 6:42am on July 29, 2021[SHARE]

Generational Divides Emerge Onstage in Germany by A.J. Goldmann

At newly reopened playhouses, once-legendary and younger directors take very different approaches to their mammoth productions.

SOURCE: The New York Times Subscription at 5:03am on July 1, 2021[SHARE]

With 'Dramazon Prime,' Streamed Theater Goes Head-to-Head With TV by A.J. Goldmann

A German playhouse realizes it's no longer competing merely against other local venues for audience attention.

SOURCE: The New York Times Subscription at 6:12am on April 15, 2021[SHARE]

Theater Review: 'Polis/Reset' at the Volksbühne in Berlin by A.J. Goldmann

The drama behind the scenes at the Volksbühne in Berlin has surpassed any onstage. A series of premieres involving vengeful gods, inescapable fates and tragic flaws seems apt.

SOURCE: The New York Times Subscription at 6:42am on March 25, 2021[SHARE]

A Digital Festival, in the Spirit of Bertolt Brecht by A.J. Goldmann

The directors of the Brecht Festival Augsburg have curated an online-only event that runs the gamut from experimental films to poetry slams and puppetry.

SOURCE: The New York Times Subscription at 4:48am on March 4, 2021[SHARE]

Theaters Go Digital to Talk About Life (and Death) in the Pandemic by A.J. Goldmann

German playhouses are finding innovative ways to forge connections while their doors are closed.

SOURCE: The New York Times Subscription at 4:54am on February 11, 2021[SHARE]

Great Stage Acting Shines Through, Even From a Laptop Screen by A.J. Goldmann

The Lessingtage theater festival, held online this year because of the pandemic, shows some of Europe's finest performers, in classic plays by Brecht, Schiller, Ibsen and others.

SOURCE: The New York Times Subscription at 12:18pm on January 28, 2021[SHARE]

With Germany's Theaters Closed, the Drama's Online. Again. by A.J. Goldmann

The show must go on, despite a second lockdown, with livestreamed premieres and recent recordings.

SOURCE: The New York Times Subscription at 4:48am on December 4, 2020[SHARE]

For Germany's Theaters, a Reluctant Intermission by A.J. Goldmann

A second lockdown has put productions on hold and added extra drama to an already fraught theater season.

SOURCE: The New York Times Subscription at 4:18am on November 12, 2020[SHARE]

In Munich, a Theater's Ambitious New Era Starts Mid-Pandemic by A.J. Goldmann

Barbara Mundel takes over as artistic director of the Münchner Kammerspiele, lately perhaps the most consistently exciting playhouse in Germany.

SOURCE: The New York Times Subscription at 6:36am on October 22, 2020[SHARE]

In Berlin Theaters, the Curtain Rises on a 'Corona Season' by A.J. Goldmann

Some of the city's major playhouses are presenting pandemic-delayed premieres in sparsely populated auditoriums, with much of the seating removed.

SOURCE: The New York Times Subscription at 7:54am on September 10, 2020[SHARE]

Theater Review: 'Jedermann' and 'Everywoman' at the Salzburg Festival by A.J. Goldmann

The pseudo-medieval morality tale "Jedermann" inaugurated the first Salzburg Festival with an outdoor performance in 1920. The world premiere of "Everywoman" expands the concept beyond Salzb…

SOURCE: The New York Times Subscription at 5:18am on August 27, 2020[SHARE]

A Nobel Laureate's New Play Revives a Tragic, Forgotten Figure by A.J. Goldmann

Peter Handke's "Zdenek Adamec" imagines the psychological motivations of a young man who hoped to change the world by setting himself on fire, but whose name is now hardly known.

SOURCE: The New York Times Subscription at 5:12am on August 6, 2020[SHARE]

Masks On in a Near-Empty Hall: Germany's Theaters Return by A.J. Goldmann

Playhouses are finding ways to keep drama going, despite coronavirus restrictions.

SOURCE: The New York Times Subscription at 7:32am on July 2, 2020[SHARE]

A Backstage Walk That's Pure Drama by A.J. Goldmann

A German theater has created a walk-through performance that works with social distancing and hygiene measures to result in a new kind of aesthetic experience.

SOURCE: The New York Times Subscription at 5:48am on June 11, 2020[SHARE]

'The Plague' and 'Dekalog' Show Innovation in German-Language Theater by A.J. Goldmann

In an artistic world that constantly deconstructs itself, the creators of "The Plague" and "Dekalog" turned toward digital tools, with self-filmed actors and direction from the audience.

SOURCE: The New York Times Subscription at 6:18am on May 28, 2020[SHARE]

An Online Theater Festival Where the Future Is Female by A.J. Goldmann

If this year's Theatertreffen had gone ahead, it would have featured more women-led productions than ever before. Instead, an online version of the German festival features an even greater p…

SOURCE: The New York Times Subscription at 5:12am on May 7, 2020[SHARE]

A Dissident Company Celebrates 15 Years Underground by A.J. Goldmann

The Belarus Free Theater had ambitious plans for its anniversary. The coronavirus stopped them, but the troupe is used to finding ways to keep going in tough times.

SOURCE: The New York Times Subscription at 6:03am on April 16, 2020[SHARE]

Online, the Show Goes On. But It's Just Not the Same. by A.J. Goldmann

The recorded performances that theaters in Germany have put online while they are closed don't live up to the real thing, our critic says.

SOURCE: The New York Times Subscription at 6:36am on March 26, 2020[SHARE]

Bringing Plague Tales Into Modern Times by A.J. Goldmann

The Russian director Kirill Serebrennikov is free from house arrest but isn't allowed to leave Moscow. So actors from a Berlin theater went there to create his latest work.

SOURCE: The New York Times Subscription at 1:36pm on March 9, 2020[SHARE]
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