Abbey theatre, DublinAnnabelle Comyn's staging of this drama of marital suffocation is so cool and controlled that it becomes almost inertIn Mark O'Rowe's new version of Ibsen's 1890 drama, the dialogue sounds like an overheard telephone conversation. "Right." "Sure." "OK." "Christ." "Bye."Pared back, lucid, sometimes blunt, it is uttered by characters wearing impeccably tailored 19th-century dress. In Annabelle Comy…
