"Our fractured portrait [of Queen Elizabeth I] is like that caught for a moment by a kaleidoscope, not a camera; more in common with Picasso's portraits than of any kind of naturalism…" writes Karin Coonrod, creator and director of Compagnia de' Colombari's texts&beheadings/ElizabethR at Folger Theatre. The piece combines Queen Elizabeth I's writings with music […]