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The Santa Fe Opera: How to build a $22 million per year American opera factory

by Ray Mark Rinaldi Denver Post Fine Arts Critic

What every great soprano needs most is infrastructure. No Brünnhilde hits her high notes without the serious support system that got her up there: the vocal coaches and wigmakers; the caterers, costumers and set builders; and the person who cleans the shower she desperately needs after all of the torture Wagner puts her through onstage.

SOURCE: Denver Post at 3:37pm on July 26, 2015