Linbury theatre, LondonFull of postcard moments, Taylor's choreography harks back to a more straightforward, analogue age " and is all the better for that Paul Taylor is not a choreographer for the cynical. Then again, maybe he is exactly what a cynic needs. At the outset of his 1988 piece Brandenburgs, with the dancers in tight green velour beaming beatifically out at us, the hardened viewer may be thinking: this is…
