Anemone Valcke and Verona Verbakel's The Ego emerges from Ontroerend Goed's theatrical lineage with characteristic Belgian fearlessness and appetite for (self-)reflection. What begins as an exploration of rejection's impact on bruised artistic egos spirals into more complex territory"transgressive behavior, internalized misogyny, and the peculiar phenomenology of performance itself. Structured essayistically, the wor…
