Shakespeare's Globe, London Falstaff's corpulent roisterings are energetically played in Sean Holmes' summery staging but the homely comedy comes laden with innuendo and xenophobia In one sense, Shakespeare's circa-1597 love farce about duped seducers and wooers is a very modern product. It is a rapid sequel to a popular hit, even featuring, in the style of Superman and Harry Potter, the name of the …
