Yasmin Reza's savage study of the middle-classes becomes a farce lacking in danger Yasmin Reza's God of Carnage (2008), like her British megahit, 1994's ART, is not strictly a comedy. The French dramatist likes to create gladiatorial spaces disguised as chic living-rooms, where the professional classes slug it out, chewing their way through all manner of pieties and prejudices to reach some kind of climactic end poin…
