Writer/director Erica Schmidt's "Lucy" is a play struggling to find a point of view, or perhaps a point of view struggling to find a play. If the latter is true, then that narrative position seems to be "good help is hard to find," which generally only satisfies an audience, at least the "help" part of it, when there's a "My Man Godfrey," or even "Mary Poppins," spin attached. But Schmidt apparently has adopted her p…
