A wooden rowboat and plastic sheets lining two back walls are the only decorations for Sarah Tolan-Mee's English-language adaptation of Heiner Müller's 1982 cry-of-anguish riff on war, betrayal, and the messiness of identity. Using the Greek legends of Medea and Jason as a jumping-off point, this is a raging, poetic rant against tyranny and fate […] The post War cries appeared first on Chicago Reader.
