"You into words?" Jamie Lloyd's magnificent treatment of Cyrano de Bergerac very much is. Refracted through Lloyd's modestly masterful staging, Martin Crimp's vigorous, insightful adaptation of Edmond Rostand's 1897 play becomes a searing meditation on language and desire. Sure, the same concerns are already at the forefront of the original play, but Crimp's version takes […] The full version of the article Martin …
