Like many a photograph taken by a true artist, Steven Levenson's new work, "Days of Rage," now premiering at Second Stage, expertly captures its time and place: a ramshackle "collective" house in upstate New York (perfectly designed by Louisa Thompson) inhabited by three young radicals-cum-revolutionaries in the fall of 1969. But unlike a great work by Weston or Avedon, the meaning of Levenson's snapshot remains madd…
